{"title":"Rainger FX","description":"","products":[{"product_id":"rainger-fx-deepspace-pulsar-sidecar-wigor-footswitch-70372","title":"Rainger Fx DeepSpace Pulsar Sidecar w\/Igor Footswitch and Kick Drum Microphone","description":"\u003cstrong\u003eRainger Fx DeepSpace Pulsar Sidecar w\/Igor and contact Microphone\u003c\/strong\u003e \u003cp\u003eThis is a sidechainer pedal, an effect that ducks your instrument’s signal each time it gets a trigger – capable of putting deep spaces into your sound!\u003c\/p\u003e\u003cp\u003eIt’s an effect that’s heard on many recordings, often subtly – like when a rock rhythm guitar is sidechained with the kick drum, so every time the kick drum hits, the guitar volume dips slightly for that instant – giving a really powerful overall effect… The guitar sounds pumping, or spring-loaded!\u003cbr\u003eOr it’s sometimes used strongly, to make the signal completely disappear with each kick drum, as in big 4-on-the-floor club tunes. All we’re talking about is change in volume – the Deep Space Pulsar doesn’t affect your tone in any way, and sounds great with bass guitar!\u003c\/p\u003e\u003cp\u003eWhatever way you use it, this sidechaining effect has NEVER been so easily available – and controllable – as with the Deep Space Pulsar! (Up to now, it’s always been an effect that’s added in post-production – hardly ever live).\u003c\/p\u003e\u003cp\u003eIt comes with a microphone; put that inside your drummer’s kick drum, plug it into the top end panel of the pedal and you’re ready to go! The pedal sits there waiting for the drummer to play….\u003c\/p\u003e\u003cp\u003eThe ‘Dip’ knob adjusts the amount of dip to the signal, ‘Rel’ controls the speed of the release; how quickly the sound rises back up, and ‘Vol’ is the volume – the pedal can go quite loud, more than compensating for any loss in overall level due to all the ducking. The LED display gives a visual indication of the amount and length of ducking.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTAP TEMPO\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHowever when instead you plug in the Igor pressure pad controller, the Deep Space Pulsar has tap tempo – a fully correctable facility – enabling it to work if you’re playing along to a DJ or drum machine. Two presses of the Igor programs a tempo (the ‘record’ LED coming on to show that the tempo is being recorded and it’s waiting for the second press), and at any point that tempo can be adjusted to bring it back into sync with the music, enabling the pulsing to stay in time for long periods.\u003c\/p\u003e\u003cp\u003ePressing on Igor for 1 second erases the tempo, for you to start again at a different tempo.\u003c\/p\u003e\u003cp\u003eOr alternatively trigger it from a gate signal voltage! This needs a mono cable (sleeve 0V, tip signal), and each jump in voltage creates a ‘pulse’ in the pedal (like a single bass drum hit would).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePUSH-BUTTON SWITCHES\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThere’s a ‘Pad’ button to alter the sensitivity of the microphone, and also an ‘Inv’ button to invert the whole effect; no sound is heard until the kick drum (or tap tempo) hits, when a pulse of signal is let through – introducing whole new kinds of sounds!\u003c\/p\u003e\u003cp\u003eThis is a revolutionary effect, designed specifically for those that play with other people – whether in bands, clubs or studios.\u003c\/p\u003e \u003cstrong\u003eSpecs:\u003c\/strong\u003e \u003cp\u003eManufacturer: Rainger\u003cbr\u003eType: sidechain pulse\u003cbr\u003eControls: Dip, Rel, Vol, Inv, Pad\u003cbr\u003eDimensions: -\u003cbr\u003eWeight: -\u003cbr\u003ePower Source: 9V\u003cbr\u003eTrue Bypass: -\u003cbr\u003eInputs: Mono in, Igor in\u003cbr\u003eOutputs: Mono out\u003cbr\u003eExtras: -\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":33924520444039,"sku":"RAINGERFXDEEPSPACE","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-controllers-volume-and-expression-rainger-fx-deepspace-pulsar-sidecar-w-igor-footswitch-and-kick-drum-microphone-raingerfxdeepspace-17215157731463.jpg?v=1649224577"},{"product_id":"rainger-fx-drone-rainger-digital-delay-641132","title":"Rainger FX Drone Rainger Digital Delay","description":"\u003ci\u003eFrom Rainger FX:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThis is the most atmospheric, cinematic pedal that we do…\u003cbr\u003e\u003cbr\u003eIt’s a dub-flavoured digital delay (based on our Echo-X delay pedal), that also produces low, throbbing drones that can also be mixed through the delay circuit. If you play shoegaze, doom\/heavy\/psychedelic rock, or ambient music it’s a fantastic tool for making a powerful base note to play over. Maybe you play in a two piece band? Then it’s essential! You’re a solo electric guitarist making sonic textures?…. You improvise over an atmospheric backing? The Drone Rainger is for you!\u003cbr\u003e\u003cbr\u003eThe guitar signal and the drone signal are independently mixed through the same delay circuit (about 1 second maximum repeat time), with a totally dry guitar switching option. There are actually two analogue tone generators inside the Drone Rainger making up the sound – one with a 12-way selector switch, the other free-moving – so that when they’re tuned nearly the same, you get interesting ‘beats’ created between the two of them. Blend them to suit using the ‘mix’ knob.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEXTRA FOOTSWITCHES:\u003c\/b\u003e\u003cbr\u003eThe drones also have two instantaneous effects that can be switched in with a footswitch while you play guitar; one is a ‘tone-down’ pitch dropping effect – making the pitch sag in a truly ominous way! The other is a white noise burst – made by the delay chip – that echoes away into the distance…\u003cbr\u003e\u003cbr\u003eIt’s also possible to set the pedal to produce two separate notes – and to footswitch between the two while you play, which is extremely useful if the song you’re playing has a section with a different base note or a key change. And if you’re playing along to music that isn’t stictly tuned to pitch, you can adapt using the pedal’s ‘fine tune’ knob.\u003cbr\u003e\u003cbr\u003eLike all our stompboxes, it’s housed in a custom-designed enclosure – this one a distinctive desk-style with seven sides. The window in the main front panel is a window into the Drone Rainger’s soul – an aerial view of an industrial part of a city, complete with streets and cars, car parks and streetlamps, toxic chemical silos! A dystopian vision to match the powerful hypnotic sounds…..\u003cbr\u003e\u003cbr\u003eThis is a truly unique pedal in many ways, that can be played as an instrument in itself.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eDIGITAL DELAY WITH 1 SECOND MAXIMUM DELAY TIME\u003c\/li\u003e\n\u003cli\u003eTWO BUILT-IN FULLY-TUNEABLE DRONES FOR INSTANT ATMOSPHERIC BACKING\u003c\/li\u003e\n\u003cli\u003eCAN SWITCH BETWEEN TWO NOTES ON-THE-FLY\u003c\/li\u003e\n\u003cli\u003eDEEPLY COOL 7-SIDED CUSTOM ENCLOSURE\u003c\/li\u003e\n\u003cli\u003eONE-TONE-DOWN SPOT EFFECT\u003c\/li\u003e\n\u003cli\u003eINDUSTRIAL NOISE BURSTS FOR MOMENTARY ACCENTS\u003c\/li\u003e\n\u003cli\u003eAERIAL VIEW OF DYSTOPIAN CITY LURKING INSIDE\u003c\/li\u003e\n\u003cli\u003eCHORUS EFFECT FOR EXTRA TONE GENERATOR ‘MOVEMENT’\u003c\/li\u003e\n\u003cli\u003e‘DRY GUITAR’ OPTION FOR PEDAL USE PURELY AS A SOUND SOURCE\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":33927508066439,"sku":"RX-DR","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-delay-rainger-fx-drone-rainger-digital-delay-rx-dr-17216713457799.jpg?v=1646022361"},{"product_id":"rainger-fx-dr-freakenstein-dwarf-bleep-w-igor-70373","title":"Rainger Fx Dr. Freakenstein Dwarf Bleep w\/ Igor","description":"\u003cdiv\u003e\u003cdiv\u003e \u003cstrong\u003eRainger Fx Dr. Freakenstein Dwarf Bleep w\/ Igor\u003c\/strong\u003e \u003cp\u003eThis does everything the Dwarf does – and more.\u003c\/p\u003e\n\u003cp\u003eAdjust the trimpot through a baseplate port to change from regular Dwarf behaviour, into full fuzz-bleep weirdness and rhythmic oscillation – present at the start and end of each note.\u003c\/p\u003e\n\u003cp\u003eThe Dwarf Bleep ‘Overtone’ pot sets the bleep pitch, from a low square wave up to very high, while the Igor controller works as usual – press with your foot (or hand), and the overtone pitch changes – including bleep pitch.\u003cbr\u003eThe noise gate is still in effect.\u003c\/p\u003e\n\u003cp\u003eAdjust the trimpot the other way to go back to standard setting.\u003c\/p\u003e\n\u003cp\u003eBased on the now discontinued Dwarf B***h pedal, the Dwarf Bleep has a wider frequency response, a ‘signal present’ indicator (the LED illuminates brighter when you play), and and cool new graphics.\u003c\/p\u003e\n\u003cp\u003eThis hugely exciting new pedal does massive gated fuzz sounds, hi-pass filter\/phasers, bit-crushers, downward pitch- change (user tuned), controllable ‘proto synth’ oscillation tones – a huge palette of tones, all controlled in real-time by Igor, and comes in a custom-designed steel enclosure.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cstrong\u003eSpecs:\u003c\/strong\u003e  \u003cp\u003e\u003cstrong\u003eManufacturer\u003c\/strong\u003e: Rainger Fx\u003cbr\u003e\u003cstrong\u003eType\u003c\/strong\u003e: Filter\/Pitch\u003cbr\u003e\u003cstrong\u003eControls\u003c\/strong\u003e: Overtone, High\/Low\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cspan\u003e55mm in diameter, 9mm thick\u003c\/span\u003e \u003cbr\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e: - \u003cbr\u003e\u003cstrong\u003ePower Source\u003c\/strong\u003e: 9v DC, 200mA (centre earth, sleeve +9v)\u003cbr\u003e\u003cstrong\u003eTrue Bypass\u003c\/strong\u003e: Yes\u003cbr\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e: Mono in, Igor in\u003cbr\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e: Mono out\u003cbr\u003e\u003cstrong\u003eExtras\u003c\/strong\u003e: Igor\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e \u003cdiv\u003e\u003c\/div\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":34299559936135,"sku":"RAINGERFXDWARFBLEEP","price":155.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-fuzz-rainger-fx-dr-freakenstein-dwarf-bleep-w-igor-raingerfxdwarfbleep-17215159009415.jpg?v=1645876571"},{"product_id":"rainger-fx-bleep-w-igor-512720","title":"Rainger FX Bleep w\/ Igor","description":"\u003ci\u003eFrom Rainger FX:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe Bleep is the most fun, most out-there pedal in the Rainger FX line! It’s a compilation of various sounds from the range of Dwarf pedals recently discontinued, but in a more usable format. Using the same full-on fuzz circuit from the Dr Freakenstein Fuzz pedal, it has more low-end, the LFO speed is adjustable on-the-fly, and the chip-destablising ‘bleep’ facility is now accessible via a front panel knob.\u003cbr\u003e\u003cbr\u003eThe ‘overtone’ is controlled by knob, LFO, or Igor controller. With Igor plugged in, the Bleep is highly controllable while you’re actually playing – no huge-and-heavy expression pedal needed. The dual-sensitivity pressure pad in effect adjusts the ‘Overtone’ knob, or the LFO speed. The built-in noise gate is always in operation, ensuring the pedal is totally silent when there’s no signal; that means zero background hiss – at whatever volume you’re playing at.\u003cbr\u003e\u003cbr\u003eThe green-on-green LED display changes with every new phrase you play – or every bleep, graphically showing what’s going on in a truly mesmerising fashion.\u003cbr\u003e\u003cbr\u003eThis pedal covers a wide palette of sounds, from hard chunks of uncompromising fuzz, to edgy lead tones that are guaranteed to cut through a mix. The sustain can morph into robot alarm sounds, the signal degrading into rhythmical proto-synthy pulses, their pitch actually playable in real time. With the LFO on, the ‘overtone’ is automatically modulated to produce a slowly scything tonal movement – like an extreme phaser, and with the ‘Bleep\/Fuzz’ knob and Igor pressed the speed ramps up, moving into psychotic chirping like some fiendish arcade game…\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIGOR:\u003c\/b\u003e\u003cbr\u003eIgor is a pressure sensitive control pad – a small expression pedal 55mm wide with no moving parts. It’s dual sensitivity; use it shiny side up on a hard stage or standing up, and rubber side up in you’re sitting down or barefoot. Or use it by hand. If you’ve had enough of lugging around treadle-operated expression pedals, this will be a breath of fresh air!\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFULL-ON, FULL RANGE MONSTER FUZZ IN A TINY PACKAGE!\u003c\/li\u003e\n\u003cli\u003eDISSOLVES INTO BLEEP MADNESS WHEN REQUIRED\u003c\/li\u003e\n\u003cli\u003eHAS BUILT-IN MODULATION AND NOISE GATE\u003c\/li\u003e\n\u003cli\u003eINCLUDES NEW IGOR MK2 CONTROLLER – MORE EXPRESSION-Y, MORE DURABLE\u003c\/li\u003e\n\u003cli\u003eBLEEP PITCH AND OVERTONE PITCH CONTROLLABLE VIA IGOR\u003c\/li\u003e\n\u003cli\u003eKINETIC LED DISPLAY CAUSES INSTANT INFATUATION!\u003c\/li\u003e\n\u003cli\u003eBLEEP LENGTH\/SPEED ADJUSTABLE\u003c\/li\u003e\n\u003cli\u003eRAINGER FX CUSTOM MINI-PEDAL HOUSING – NARROWER THAN STANDARD MINI-PEDALS, ALL SOCKETS ON THE TOP END PANEL!\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":34301158228103,"sku":"RX-BLP","price":169.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-fuzz-rainger-fx-bleep-w-igor-rx-blp-17216239599751.jpg?v=1645982405"},{"product_id":"rainger-fx-dr-freakenstein-chop-fuzz-641131","title":"Rainger FX Dr. Freakenstein Chop Fuzz","description":"\u003ci\u003eFrom Rainger FX:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThis is the latest of the legendary Dr Freakenstein range, using the same fuzz circuit as before, but this time with a whole new effect facility added!\u003cbr\u003e\u003cbr\u003eIt’s a full-on fuzz circuit (so you need your guitar volume up full) with a built-in noise gate, and with a knife switch for powering up the pedal. The overtone knob adjusts the harmonic overtone, and it can also be worked using the LFO (in the modulation section) – with a steadily-cycling triangle wave, sounding like an extreme phaser.\u003cbr\u003e\u003cbr\u003eThe pedal comes with Igor (Dr Freakenstein’s assistant) – a dual sensitivity pressure pad expression pedal that can control the overtone sound (see Igor page). This is a unique controller, developed for use with most Rainger FX pedals.\u003cbr\u003e\u003cbr\u003eAlso a hard squarewave ‘chop’ tremolo effect can be flashed in momentarily with Igor, or switched in and left on. The squarewave uses the noise-gate aspect of the sound to create an extremely strong dynamic sound – very dramatic and chopper-like with a slow-moving LFO sweeping through it, or fast for a chattery effect.\u003cbr\u003e\u003cbr\u003eThere’s an ‘eye-meter’ – showing input signal strength – which is backlit to show the LFO modulation speed, but it also has side LEDs that flash with the chop effect.\u003cbr\u003e\u003cbr\u003eWith all the sockets mounted on the top end panel, the pedal has a Hi\/Lo intensity switch – giving a lower ‘inside the sound’ tone to a more in-your-face zap – and comes in the same custom-designed Freakenstein desk-style console enclosure as before.\u003cbr\u003e\u003cbr\u003eThe Chop Fuzz is an extreme pedal, both in sounds and attitude – now more than ever!\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFULL-ON FUZZ PEDAL WITH REAL TIME CONTROLLABILITY\u003c\/li\u003e\n\u003cli\u003e‘EXTREME PHASER’ MODULATION\u003c\/li\u003e\n\u003cli\u003eCHOP TREMOLO EFFECT – MOMENTARY OR LATCHING\u003c\/li\u003e\n\u003cli\u003eINCLUDES RAINGER FX’S UNIQUE IGOR PRESSURE PAD CONTROLLER\u003c\/li\u003e\n\u003cli\u003e‘POWER ON’ KNIFESWITCH\u003c\/li\u003e\n\u003cli\u003eSIGNAL STRENGTH ‘EYE METER’ WITH EXTREME LIGHT SHOW\u003c\/li\u003e\n\u003cli\u003eDEEPLY COOL CONSOLE-STYLE CUSTOM-MADE ENCLOSURE\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":34301655777415,"sku":"RX-CF","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-fuzz-rainger-fx-dr-freakenstein-chop-fuzz-rx-cf-17216713261191.jpg?v=1646524206"},{"product_id":"rainger-fx-dr-freakenstein-chop-fuzz-wrockboard-flat-830101","title":"Rainger FX Dr. Freakenstein Chop Fuzz w\/RockBoard Flat Patch Cables Bundle","description":"This Bundle Includes:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eRainger FX Dr. Freakenstein Chop Fuzz\u003c\/li\u003e\n\u003cli\u003eTwo RockGear RockBoard Flat Patch Cables; Black 10cm (3.94\")\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ci\u003eFrom Rainger FX:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThis is the latest of the legendary Dr Freakenstein range, using the same fuzz circuit as before, but this time with a whole new effect facility added!\u003cbr\u003e\u003cbr\u003eIt’s a full-on fuzz circuit (so you need your guitar volume up full) with a built-in noise gate, and with a knife switch for powering up the pedal. The overtone knob adjusts the harmonic overtone, and it can also be worked using the LFO (in the modulation section) – with a steadily-cycling triangle wave, sounding like an extreme phaser.\u003cbr\u003e\u003cbr\u003eThe pedal comes with Igor (Dr Freakenstein’s assistant) – a dual sensitivity pressure pad expression pedal that can control the overtone sound (see Igor page). This is a unique controller, developed for use with most Rainger FX pedals.\u003cbr\u003e\u003cbr\u003eAlso a hard squarewave ‘chop’ tremolo effect can be flashed in momentarily with Igor, or switched in and left on. The squarewave uses the noise-gate aspect of the sound to create an extremely strong dynamic sound – very dramatic and chopper-like with a slow-moving LFO sweeping through it, or fast for a chattery effect.\u003cbr\u003e\u003cbr\u003eThere’s an ‘eye-meter’ – showing input signal strength – which is backlit to show the LFO modulation speed, but it also has side LEDs that flash with the chop effect.\u003cbr\u003e\u003cbr\u003eWith all the sockets mounted on the top end panel, the pedal has a Hi\/Lo intensity switch – giving a lower ‘inside the sound’ tone to a more in-your-face zap – and comes in the same custom-designed Freakenstein desk-style console enclosure as before.\u003cbr\u003e\u003cbr\u003eThe Chop Fuzz is an extreme pedal, both in sounds and attitude – now more than ever!\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFULL-ON FUZZ PEDAL WITH REAL TIME CONTROLLABILITY\u003c\/li\u003e\n\u003cli\u003e‘EXTREME PHASER’ MODULATION\u003c\/li\u003e\n\u003cli\u003eCHOP TREMOLO EFFECT – MOMENTARY OR LATCHING\u003c\/li\u003e\n\u003cli\u003eINCLUDES RAINGER FX’S UNIQUE IGOR PRESSURE PAD CONTROLLER\u003c\/li\u003e\n\u003cli\u003e‘POWER ON’ KNIFESWITCH\u003c\/li\u003e\n\u003cli\u003eSIGNAL STRENGTH ‘EYE METER’ WITH EXTREME LIGHT SHOW\u003c\/li\u003e\n\u003cli\u003eDEEPLY COOL CONSOLE-STYLE CUSTOM-MADE ENCLOSURE\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":34302773592199,"sku":"RX-CF-001-KIT","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-fuzz-rainger-fx-dr-freakenstein-chop-fuzz-w-rockboard-flat-patch-cables-bundle-rx-cf-001-kit-17189671501959.jpg?v=1646965757"},{"product_id":"rainger-fx-minibar-liquid-analyser-953826","title":"Rainger FX MiniBar Liquid Analyser","description":"\u003ci\u003eFrom Rainger FX:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe Minibar is a liquid analyser pedal, a truly revolutionary stompbox that uses the properties of a liquid to decide the sound of your guitar!\u003cbr\u003e\u003cbr\u003eRainger FX are inviting you to take part in an experiment in tone-shaping discovery…. This mini-pedal makes no sound at all until you pour liquid into it – any kind at all – and the various qualities of that liquid decide the amount – and to some degree the quality – of the distortion, and also the amount of treble and bass. What you use to do this is entirely up to you – any sort of mixture you can dream up!\u003cbr\u003e\u003cbr\u003eThe pedal is simplicity itself; it has a volume knob, and a small watertight container mounted in the top panel; unscrew the lid, get pouring – and analyse! Then, when you’ve got your own unique sound, screw the lid on tightly and you’re ready to go. (Finger tight is fine – but don’t get too forceful as some liquids can give a sticky-ness over time that makes the lid harder to undo) .\u003cbr\u003e\u003cbr\u003eTo start again with experimenting, just open the lid and wipe out the container with a paper towel. You’ll hear the guitar sound crumble away to nothing, but as the new liquid hits the container the resulting new sound appears.\u003cbr\u003e\u003cbr\u003eThe conductivity of the guitar’s AC signal generally decides the amount of gain, and the opacity (how easily light passes through it) decides the amount of treble and bass. The Minibar often creates satisfying ‘band-pass’ tones – nicely uncompressed, and with plenty of satisfying harmonics and plectrum ‘cluck’.\u003cbr\u003e\u003cbr\u003eNote; the pedal is sold with no liquid in it, and so will make no noise at all – until you do your bit! It’s up to you to go and experiment….\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eCHOOSE YOUR OWN LIQUID COMBINATION TO CREATE YOUR OWN SOUND!\u003c\/li\u003e\n\u003cli\u003eSIMPLE – YET COMPLETELY INNOVATIVE!\u003c\/li\u003e\n\u003cli\u003eINCORPORATES GREEN ‘ANALYSING’ LED (TO SHOW SIGNAL PRESENT)\u003c\/li\u003e\n\u003cli\u003eTASTY MIRRORED-FINISH BOX\u003c\/li\u003e\n\u003cli\u003eINTERACTIVE LIKE NO OTHER PEDAL BEFORE – USE YOUR IMAGINATION TO DISCOVER YOUR OWN SOUND!\u003c\/li\u003e\n\u003cli\u003eRAINGER FX CUSTOM MINI-PEDAL ENCLOSURE – WITH NO SOCKETS ON THE SIDE! (NO – REALLY!!)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":34303424954503,"sku":"RX-MB","price":149.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-distortion-rainger-fx-minibar-liquid-analyser-rx-mb-17451330666631.jpg?v=1646029398"},{"product_id":"rainger-fx-echo-x-mini-digital-delay-w-igor-16098","title":"Rainger FX Echo-X Mini Digital Delay w\/ Igor","description":"\u003cstrong\u003eRainger FX Echo-X Mini Digital Delay w\/ Igor\u003c\/strong\u003e \u003cp\u003eThe Echo-X is a digital delay mini-pedal which offers unprecedented real-time control over crucial parameters.\u003cbr\u003e\u003cbr\u003eIt comes with an Igor pressure pad controller which can adjust delay speed, amount of feedback, or work as a ‘send’ control; while your sound is dry, as you press on Igor, the signal is diverted through the pedal’s circuitry. When you release Igor you carry on playing dry while the diverted notes echo away on their own… An incredibly useful and expressive feature for everyday use!\u003cbr\u003e\u003cbr\u003eThe Echo-X has 540ms of delay time available, and has level, rate, feedback, input, and volume controls. ‘Level’ goes from no echo, to slightly louder than the input signal. ‘Feedback’ meanwhile goes from a single repeat to runaway overloading feedback oscillation.\u003cbr\u003e\u003cbr\u003e‘Input’ governs the input signal, and if this is too loud the red ‘overload’ LED comes on and it needs to be turned down. The volume knob however can push the volume back up.\u003cbr\u003e\u003cbr\u003eThe Echo-X is housed in a Rainger FX mini-pedal enclosure, which is 0.5mm narrower than standard mini-pedal boxes, and with all sockets mounted on the top end panel. The ‘OK-kickable’ Igor mode switches are on the bottom end panel.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":34304791281799,"sku":"RAINGERFXECHOX","price":178.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-delay-rainger-fx-echo-x-mini-digital-delay-w-igor-raingerfxechox-17187472310407.jpg?v=1646965753"},{"product_id":"rainger-fx-drone-rainger-digital-delay-1122738","title":"Rainger FX Drone Rainger Digital Delay","description":"\u003cb\u003e\u003ci\u003ePlease Note:\u003c\/i\u003e\u003c\/b\u003e A few tiny scuffs.\u003cbr\u003e\u003ci\u003eFrom Rainger FX:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThis is the most atmospheric, cinematic pedal that we do…\u003cbr\u003e\u003cbr\u003eIt’s a dub-flavoured digital delay (based on our Echo-X delay pedal), that also produces low, throbbing drones that can also be mixed through the delay circuit. If you play shoegaze, doom\/heavy\/psychedelic rock, or ambient music it’s a fantastic tool for making a powerful base note to play over. Maybe you play in a two piece band? Then it’s essential! You’re a solo electric guitarist making sonic textures?…. You improvise over an atmospheric backing? The Drone Rainger is for you!\u003cbr\u003e\u003cbr\u003eThe guitar signal and the drone signal are independently mixed through the same delay circuit (about 1 second maximum repeat time), with a totally dry guitar switching option. There are actually two analogue tone generators inside the Drone Rainger making up the sound – one with a 12-way selector switch, the other free-moving – so that when they’re tuned nearly the same, you get interesting ‘beats’ created between the two of them. Blend them to suit using the ‘mix’ knob.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEXTRA FOOTSWITCHES:\u003c\/b\u003e\u003cbr\u003eThe drones also have two instantaneous effects that can be switched in with a footswitch while you play guitar; one is a ‘tone-down’ pitch dropping effect – making the pitch sag in a truly ominous way! The other is a white noise burst – made by the delay chip – that echoes away into the distance…\u003cbr\u003e\u003cbr\u003eIt’s also possible to set the pedal to produce two separate notes – and to footswitch between the two while you play, which is extremely useful if the song you’re playing has a section with a different base note or a key change. And if you’re playing along to music that isn’t stictly tuned to pitch, you can adapt using the pedal’s ‘fine tune’ knob.\u003cbr\u003e\u003cbr\u003eLike all our stompboxes, it’s housed in a custom-designed enclosure – this one a distinctive desk-style with seven sides. The window in the main front panel is a window into the Drone Rainger’s soul – an aerial view of an industrial part of a city, complete with streets and cars, car parks and streetlamps, toxic chemical silos! A dystopian vision to match the powerful hypnotic sounds…..\u003cbr\u003e\u003cbr\u003eThis is a truly unique pedal in many ways, that can be played as an instrument in itself.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eDIGITAL DELAY WITH 1 SECOND MAXIMUM DELAY TIME\u003c\/li\u003e\n\u003cli\u003eTWO BUILT-IN FULLY-TUNEABLE DRONES FOR INSTANT ATMOSPHERIC BACKING\u003c\/li\u003e\n\u003cli\u003eCAN SWITCH BETWEEN TWO NOTES ON-THE-FLY\u003c\/li\u003e\n\u003cli\u003eDEEPLY COOL 7-SIDED CUSTOM ENCLOSURE\u003c\/li\u003e\n\u003cli\u003eONE-TONE-DOWN SPOT EFFECT\u003c\/li\u003e\n\u003cli\u003eINDUSTRIAL NOISE BURSTS FOR MOMENTARY ACCENTS\u003c\/li\u003e\n\u003cli\u003eAERIAL VIEW OF DYSTOPIAN CITY LURKING INSIDE\u003c\/li\u003e\n\u003cli\u003eCHORUS EFFECT FOR EXTRA TONE GENERATOR ‘MOVEMENT’\u003c\/li\u003e\n\u003cli\u003e‘DRY GUITAR’ OPTION FOR PEDAL USE PURELY AS A SOUND SOURCE\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":34742373974151,"sku":"RX-DR-u1","price":290.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-delay-rainger-fx-drone-rainger-digital-delay-rx-dr-u1-28564298760327.jpg?v=1650511576"},{"product_id":"rainger-fx-deepspace-pulsar-sidecar-wigor-and-kick-1112660","title":"Rainger Fx DeepSpace Pulsar Sidecar w\/Igor and Kick Drum Microphone","description":"\u003cb\u003e\u003ci\u003ePlease Note:\u003c\/i\u003e\u003c\/b\u003e Pedal has scuffs and scratches on it.\u003cbr\u003e\u003cstrong\u003eRainger Fx DeepSpace Pulsar Sidecar w\/Igor and contact Microphone\u003c\/strong\u003e \u003cp\u003eThis is a sidechainer pedal, an effect that ducks your instrument’s signal each time it gets a trigger – capable of putting deep spaces into your sound!\u003c\/p\u003e\u003cp\u003eIt’s an effect that’s heard on many recordings, often subtly – like when a rock rhythm guitar is sidechained with the kick drum, so every time the kick drum hits, the guitar volume dips slightly for that instant – giving a really powerful overall effect… The guitar sounds pumping, or spring-loaded!\u003cbr\u003eOr it’s sometimes used strongly, to make the signal completely disappear with each kick drum, as in big 4-on-the-floor club tunes. All we’re talking about is change in volume – the Deep Space Pulsar doesn’t affect your tone in any way, and sounds great with bass guitar!\u003c\/p\u003e\u003cp\u003eWhatever way you use it, this sidechaining effect has NEVER been so easily available – and controllable – as with the Deep Space Pulsar! (Up to now, it’s always been an effect that’s added in post-production – hardly ever live).\u003c\/p\u003e\u003cp\u003eIt comes with a microphone; put that inside your drummer’s kick drum, plug it into the top end panel of the pedal and you’re ready to go! The pedal sits there waiting for the drummer to play….\u003c\/p\u003e\u003cp\u003eThe ‘Dip’ knob adjusts the amount of dip to the signal, ‘Rel’ controls the speed of the release; how quickly the sound rises back up, and ‘Vol’ is the volume – the pedal can go quite loud, more than compensating for any loss in overall level due to all the ducking. The LED display gives a visual indication of the amount and length of ducking.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTAP TEMPO\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHowever when instead you plug in the Igor pressure pad controller, the Deep Space Pulsar has tap tempo – a fully correctable facility – enabling it to work if you’re playing along to a DJ or drum machine. Two presses of the Igor programs a tempo (the ‘record’ LED coming on to show that the tempo is being recorded and it’s waiting for the second press), and at any point that tempo can be adjusted to bring it back into sync with the music, enabling the pulsing to stay in time for long periods.\u003c\/p\u003e\u003cp\u003ePressing on Igor for 1 second erases the tempo, for you to start again at a different tempo.\u003c\/p\u003e\u003cp\u003eOr alternatively trigger it from a gate signal voltage! This needs a mono cable (sleeve 0V, tip signal), and each jump in voltage creates a ‘pulse’ in the pedal (like a single bass drum hit would).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePUSH-BUTTON SWITCHES\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThere’s a ‘Pad’ button to alter the sensitivity of the microphone, and also an ‘Inv’ button to invert the whole effect; no sound is heard until the kick drum (or tap tempo) hits, when a pulse of signal is let through – introducing whole new kinds of sounds!\u003c\/p\u003e\u003cp\u003eThis is a revolutionary effect, designed specifically for those that play with other people – whether in bands, clubs or studios.\u003c\/p\u003e \u003cstrong\u003eSpecs:\u003c\/strong\u003e \u003cp\u003eManufacturer: Rainger\u003cbr\u003eType: sidechain pulse\u003cbr\u003eControls: Dip, Rel, Vol, Inv, Pad\u003cbr\u003eDimensions: -\u003cbr\u003eWeight: -\u003cbr\u003ePower Source: 9V\u003cbr\u003eTrue Bypass: -\u003cbr\u003eInputs: Mono in, Igor in\u003cbr\u003eOutputs: Mono out\u003cbr\u003eExtras: -\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":34767522332807,"sku":"RAINGERFXDEEPSPACE-U1","price":220.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-controllers-volume-and-expression-rainger-fx-deepspace-pulsar-sidecar-w-igor-and-kick-drum-microphone-raingerfxdeepspace-u1-17654218031239.jpg?v=1649768701"},{"product_id":"rainger-fx-dr-freakenstein-chop-noise-wtouch-pad-1146830","title":"Rainger FX Dr. Freakenstein Chop Noise w\/Touch Pad","description":"The Chop Noise pedal is exactly the same as the Chop Fuzz was (now discontinued), except instead of the knife switch it has one more extra feature... a random noise board! Limited to 40 units in total.\u003cbr\u003e\u003cbr\u003eIt’s always-on, but totally silent until you activate it by pressing the ‘NOISE’ button. The harder you press, the faster the noise pattern cycles; press lightly though, and you hear all the gory detail of the noise, slowly churning and grinding. Take your finger off, and the noise stops.\u003cbr\u003e\u003cbr\u003eThe actual noise sound does vary – it’s not a fixed thing. And every time you switch it on you get a randomly different version.... Engine revs, skids, chirps, pops and satanic voices - all changing in pitch as they speed up or slow down!\u003cbr\u003e\u003cbr\u003eThis feature is designed for all the desktop producers and on-the-floor pedal tweakers in the world.","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":34784931348615,"sku":"RAINGERFXCHOPNOISE","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-tremolo-and-vibrato-rainger-fx-dr-freakenstein-chop-noise-w-touch-pad-raingerfxchopnoise-17693101817991.jpg?v=1646948646"},{"product_id":"rainger-fx-minibar-liquid-analyser-1223887","title":"Rainger FX MiniBar Liquid Analyser","description":"\u003cb\u003eCondition:\u003c\/b\u003e Chrome has some scratches on it.\u003cbr\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eFrom Rainger FX:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe Minibar is a liquid analyser pedal, a truly revolutionary stompbox that uses the properties of a liquid to decide the sound of your guitar!\u003cbr\u003e\u003cbr\u003eRainger FX are inviting you to take part in an experiment in tone-shaping discovery…. This mini-pedal makes no sound at all until you pour liquid into it – any kind at all – and the various qualities of that liquid decide the amount – and to some degree the quality – of the distortion, and also the amount of treble and bass. What you use to do this is entirely up to you – any sort of mixture you can dream up!\u003cbr\u003e\u003cbr\u003eThe pedal is simplicity itself; it has a volume knob, and a small watertight container mounted in the top panel; unscrew the lid, get pouring – and analyse! Then, when you’ve got your own unique sound, screw the lid on tightly and you’re ready to go. (Finger tight is fine – but don’t get too forceful as some liquids can give a sticky-ness over time that makes the lid harder to undo) .\u003cbr\u003e\u003cbr\u003eTo start again with experimenting, just open the lid and wipe out the container with a paper towel. You’ll hear the guitar sound crumble away to nothing, but as the new liquid hits the container the resulting new sound appears.\u003cbr\u003e\u003cbr\u003eThe conductivity of the guitar’s AC signal generally decides the amount of gain, and the opacity (how easily light passes through it) decides the amount of treble and bass. The Minibar often creates satisfying ‘band-pass’ tones – nicely uncompressed, and with plenty of satisfying harmonics and plectrum ‘cluck’.\u003cbr\u003e\u003cbr\u003eNote; the pedal is sold with no liquid in it, and so will make no noise at all – until you do your bit! It’s up to you to go and experiment….\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eCHOOSE YOUR OWN LIQUID COMBINATION TO CREATE YOUR OWN SOUND!\u003c\/li\u003e\n\u003cli\u003eSIMPLE – YET COMPLETELY INNOVATIVE!\u003c\/li\u003e\n\u003cli\u003eINCORPORATES GREEN ‘ANALYSING’ LED (TO SHOW SIGNAL PRESENT)\u003c\/li\u003e\n\u003cli\u003eTASTY MIRRORED-FINISH BOX\u003c\/li\u003e\n\u003cli\u003eINTERACTIVE LIKE NO OTHER PEDAL BEFORE – USE YOUR IMAGINATION TO DISCOVER YOUR OWN SOUND!\u003c\/li\u003e\n\u003cli\u003eRAINGER FX CUSTOM MINI-PEDAL ENCLOSURE – WITH NO SOCKETS ON THE SIDE! (NO – REALLY!!)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":39339297308807,"sku":"RX-MB-u1","price":142.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-distortion-rainger-fx-minibar-liquid-analyser-rx-mb-u1-28096712278151.jpg?v=1649763662"},{"product_id":"rainger-fx-snare-trap-1235773","title":"Rainger FX Snare Trap","description":"The Snare Trap is a drum box sketch pad, a rhythmic backing track configured to inspire musicians of all kinds. It incorporates a bunch of effects to enhance and transform the beat, and uses useful shortcuts to help quickly create your drum track.\u003cbr\u003e\u003cbr\u003eIt’s a hybrid of analogue and digital technology; the bass drum, sidechaining and low-pass filter are all analogue, while the snare and hi-hat, delay and tap tempo are all digital.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCONTROLS\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSHAPE; In the ‘snare’ section, this adjusts the length of the snare sound, making the snare short and sharp, or with a handclap-like thickening.\u003c\/li\u003e\n\u003cli\u003eDRY; This button switches the snare from roomy-sounding to more hard and dry.\u003c\/li\u003e\n\u003cli\u003eHH 4s; The Snare Trap defaults to ‘8s’ on the hi-hat, but push this button in and it does only off-beat ‘4s’.\u003c\/li\u003e\n\u003cli\u003eBD2; With this knob at fully CCW, the second bass drum is on ‘3’. Turning it CW moves this drum later and later, at one point it’s so late it happens in the following beat — in effect happening earlier in the bar; this way BD2 can be adjusted to go anywhere in the bar.\u003c\/li\u003e\n\u003cli\u003eSEND; In the ‘delay’ section, this knob is turned to send the snare — only — to the delay circuit.\u003c\/li\u003e\n\u003cli\u003eRATE; The knob adjusts the timing of the repeats.\u003c\/li\u003e\n\u003cli\u003eFBK; This adjusts the amount of delay feedback.\u003c\/li\u003e\n\u003cli\u003eINSTR SIDE CHAIN; This pushbutton activates the side chain effect on the instrument that’s plugged into the Snare Trap input.\u003c\/li\u003e\n\u003cli\u003eCUT OFF; This large knob adjusts the cut off frequency of the low-pass filter.\u003c\/li\u003e\n\u003cli\u003eLFO RATE; this changes the speed of the LFO that automatically sweeps the cut off frequency\u003c\/li\u003e\n\u003cli\u003eup and down.\u003c\/li\u003e\n\u003cli\u003eON; This blue pushbutton activates the LFO.\u003c\/li\u003e\n\u003cli\u003ePAD; This pushbutton changes the operating mode of the big rubber pad, from tap tempo programming to snare drum fills and white noise bursts.\u003c\/li\u003e\n\u003cli\u003eMIX; This large knob adjusts the blend between all instrument (CVV) to all beats (CCW).\u003c\/li\u003e\n\u003cli\u003eVOLUME; This knob adjusts the overall output volume.\u003c\/li\u003e\n\u003cli\u003eLEDs; The left LED shows the unit is getting power OK. The middle is the tempo indicator, and the right one shows the LFO speed.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSOCKETS\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eIN; Connect your mono %” jackplug instrument cable here\u003c\/li\u003e\n\u003cli\u003e(SYNC OUT); this minijack socket outputs the Snare Trap tap tempo pulse to any external unit.\u003c\/li\u003e\n\u003cli\u003eI\/P Hi\/Lo; this pushbutton attenuates the input signal volume, to accommodate high-output instruments (eg synthesizers)\u003c\/li\u003e\n\u003cli\u003eDC in; Connect 9v power supply unit here (centre earth, sleeve +9v).\u003c\/li\u003e\n\u003cli\u003e‘Trigger in’ sockets; these minijack sockets can be used to trigger BD, SN and HH sounds externally.\u003c\/li\u003e\n\u003cli\u003eOUT; these %” and minijack sockets output the same mono signal\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eABOUT THE TAP TEMPO\u003c\/b\u003e\u003cbr\u003eThe Snare Trap has an incredibly useable — and ground-breaking - tap tempo. It’s possible to sync by ear so the unit works in time to an external music source for several minutes.\u003cbr\u003e\u003cbr\u003eWith the ‘PAD’ switch pushed in, tap the big rubber pad and the ‘4s’ LED will come on steadily — showing the pedal is recording your tempo. Tap the pad again and the LED will go off, but continue flashing at the tempo you just programmed. This tempo can be adjusted at any time; you can tap it once or as many times as you want to correct the tempo.\u003cbr\u003e\u003cbr\u003eTo erase the tempo, press and hold the pad for one long second.\u003cbr\u003e\u003cbr\u003eNOTE: if you try and correct the tap tempo to a very different speed the circuit may get confused! In this situation it’s best to erase it and start again.\u003cbr\u003e\u003cbr\u003eNOTE: The Snare Trap uses about 65mA","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":39374101807239,"sku":"RX-SNARETRAP","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-drums-and-percussion-drum-machines-and-samplers-rainger-fx-snare-trap-rx-snaretrap-28228026466439.jpg?v=1646354460"},{"product_id":"rainger-fx-snare-trap-1258302","title":"Rainger FX Snare Trap","description":"\u003cb\u003e\u003ci\u003ePlease Note:\u003c\/i\u003e\u003c\/b\u003e Minor blemishes on the pedal. Damaged packaging.\u003cbr\u003eThe Snare Trap is a drum box sketch pad, a rhythmic backing track configured to inspire musicians of all kinds. It incorporates a bunch of effects to enhance and transform the beat, and uses useful shortcuts to help quickly create your drum track.\u003cbr\u003e\u003cbr\u003eIt's a hybrid of analogue and digital technology; the bass drum, sidechaining and low-pass filter are all analogue, while the snare and hi-hat, delay and tap tempo are all digital.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCONTROLS\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSHAPE; In the 'snare' section, this adjusts the length of the snare sound, making the snare short and sharp, or with a handclap-like thickening.\u003c\/li\u003e\n\u003cli\u003eDRY; This button switches the snare from roomy-sounding to more hard and dry.\u003c\/li\u003e\n\u003cli\u003eHH 4s; The Snare Trap defaults to '8s' on the hi-hat, but push this button in and it does only off-beat '4s'.\u003c\/li\u003e\n\u003cli\u003eBD2; With this knob at fully CCW, the second bass drum is on '3'. Turning it CW moves this drum later and later, at one point it's so late it happens in the following beat -- in effect happening earlier in the bar; this way BD2 can be adjusted to go anywhere in the bar.\u003c\/li\u003e\n\u003cli\u003eSEND; In the 'delay' section, this knob is turned to send the snare -- only -- to the delay circuit.\u003c\/li\u003e\n\u003cli\u003eRATE; The knob adjusts the timing of the repeats.\u003c\/li\u003e\n\u003cli\u003eFBK; This adjusts the amount of delay feedback.\u003c\/li\u003e\n\u003cli\u003eINSTR SIDE CHAIN; This pushbutton activates the side chain effect on the instrument that's plugged into the Snare Trap input.\u003c\/li\u003e\n\u003cli\u003eCUT OFF; This large knob adjusts the cut off frequency of the low-pass filter.\u003c\/li\u003e\n\u003cli\u003eLFO RATE; this changes the speed of the LFO that automatically sweeps the cut off frequency\u003c\/li\u003e\n\u003cli\u003eup and down.\u003c\/li\u003e\n\u003cli\u003eON; This blue pushbutton activates the LFO.\u003c\/li\u003e\n\u003cli\u003ePAD; This pushbutton changes the operating mode of the big rubber pad, from tap tempo programming to snare drum fills and white noise bursts.\u003c\/li\u003e\n\u003cli\u003eMIX; This large knob adjusts the blend between all instrument (CVV) to all beats (CCW).\u003c\/li\u003e\n\u003cli\u003eVOLUME; This knob adjusts the overall output volume.\u003c\/li\u003e\n\u003cli\u003eLEDs; The left LED shows the unit is getting power OK. The middle is the tempo indicator, and the right one shows the LFO speed.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSOCKETS\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eIN; Connect your mono %\" jackplug instrument cable here\u003c\/li\u003e\n\u003cli\u003e(SYNC OUT); this minijack socket outputs the Snare Trap tap tempo pulse to any external unit.\u003c\/li\u003e\n\u003cli\u003eI\/P Hi\/Lo; this pushbutton attenuates the input signal volume, to accommodate high-output instruments (eg synthesizers)\u003c\/li\u003e\n\u003cli\u003eDC in; Connect 9v power supply unit here (centre earth, sleeve +9v).\u003c\/li\u003e\n\u003cli\u003e'Trigger in' sockets; these minijack sockets can be used to trigger BD, SN and HH sounds externally.\u003c\/li\u003e\n\u003cli\u003eOUT; these %\" and minijack sockets output the same mono signal\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eABOUT THE TAP TEMPO\u003c\/b\u003e\u003cbr\u003eThe Snare Trap has an incredibly useable -- and ground-breaking - tap tempo. It's possible to sync by ear so the unit works in time to an external music source for several minutes.\u003cbr\u003e\u003cbr\u003eWith the 'PAD' switch pushed in, tap the big rubber pad and the '4s' LED will come on steadily -- showing the pedal is recording your tempo. Tap the pad again and the LED will go off, but continue flashing at the tempo you just programmed. This tempo can be adjusted at any time; you can tap it once or as many times as you want to correct the tempo.\u003cbr\u003e\u003cbr\u003eTo erase the tempo, press and hold the pad for one long second.\u003cbr\u003e\u003cbr\u003eNOTE: if you try and correct the tap tempo to a very different speed the circuit may get confused! In this situation it's best to erase it and start again.\u003cbr\u003e\u003cbr\u003eNOTE: The Snare Trap uses about 65mA","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":39481434570887,"sku":"RX-SNARETRAP-u1","price":290.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-drums-and-percussion-drum-machines-and-samplers-rainger-fx-snare-trap-rx-snaretrap-u1-28364415762567.jpg?v=1649023698"},{"product_id":"rainger-fx-dfst-1-stealth-distortion-pedal-1382922","title":"Rainger FX DFST-1 Stealth Distortion Pedal","description":"Rainger FX have solved the problem of detection by enemy radar, with the launch of the DFST-1 (Stealth) distortion pedal. Based on their Dr Freakenstein full-on distortion circuit, it’s an extreme fuzz pedal with two main modes of working; either with an envelope-shaped overtone, or a variable speed overtone modulation – but in a step cycling configuration. \u003cbr\u003e\u003cbr\u003eThe envelope mode reacts to the incoming signal envelope, and gives extremely vocal tone stings that dive down to a Geiger Counter crackle, or sustain in a resonant howl – all with ultra quietness in between from the built-in Freakenstein noise gate.\u003cbr\u003e\u003cbr\u003eThe step modulation meanwhile takes it into a more techno realm, and - with the cycle re-starting from the beginning of a step with each new phrase that’s played - it’s possible to have the steps in time with the track you’re playing to (once the modulation speed is in the right ballpark).\u003cbr\u003e\u003cbr\u003eHoused in another Rainger FX custom enclosure design, based on their minipedal - but this time aerodynamically flared out, and with wings - the DFST-1 (Stealth) has two blue ‘signal present’ LEDs discretely hidden underneath the pedal, shining out under the sides like a pimped-out street racer.\u003cbr\u003e\u003cbr\u003eThis unique and cute pedal includes...\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eExtreme sounds – venturing into synth-like filter squelches\u003c\/li\u003e\n\u003cli\u003eHi intensity searing fuzz – but totally quiet when you don’t play\u003c\/li\u003e\n\u003cli\u003eDistinctive step cycle modulation from fast Leslie-style to slow step-by-step\u003c\/li\u003e\n\u003cli\u003eAll sockets on the top end panel – no side sockets!\u003c\/li\u003e\n\u003cli\u003eMinijack socket for CV control, or Igor pressure pad \u003c\/li\u003e\n\u003cli\u003eDeeply satisfying resonant tone divebombs into radioactive crackle\u003c\/li\u003e\n\u003cli\u003eCustom Rainger FX enclosure – with wings!\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":39700698529927,"sku":"RX-DFST-1","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-distortion-rainger-fx-dfst-1-stealth-distortion-pedal-rx-dfst-1-28951566155911.jpg?v=1650021616"},{"product_id":"rainger-fx-deepspace-pulsar-sidecar-wigor-footswitch-1410827","title":"Rainger Fx DeepSpace Pulsar Sidecar w\/Igor Footswitch and Kick Drum Microphone","description":"\u003cb\u003e\u003ci\u003ePlease Note:\u003c\/i\u003e\u003c\/b\u003e Scratches and blemishes on the mic and pedal.\u003cbr\u003e\u003cstrong\u003eRainger Fx DeepSpace Pulsar Sidecar w\/Igor and contact Microphone\u003c\/strong\u003e \u003cp\u003eThis is a sidechainer pedal, an effect that ducks your instrument’s signal each time it gets a trigger – capable of putting deep spaces into your sound!\u003c\/p\u003e\u003cp\u003eIt’s an effect that’s heard on many recordings, often subtly – like when a rock rhythm guitar is sidechained with the kick drum, so every time the kick drum hits, the guitar volume dips slightly for that instant – giving a really powerful overall effect… The guitar sounds pumping, or spring-loaded!\u003cbr\u003eOr it’s sometimes used strongly, to make the signal completely disappear with each kick drum, as in big 4-on-the-floor club tunes. All we’re talking about is change in volume – the Deep Space Pulsar doesn’t affect your tone in any way, and sounds great with bass guitar!\u003c\/p\u003e\u003cp\u003eWhatever way you use it, this sidechaining effect has NEVER been so easily available – and controllable – as with the Deep Space Pulsar! (Up to now, it’s always been an effect that’s added in post-production – hardly ever live).\u003c\/p\u003e\u003cp\u003eIt comes with a microphone; put that inside your drummer’s kick drum, plug it into the top end panel of the pedal and you’re ready to go! The pedal sits there waiting for the drummer to play….\u003c\/p\u003e\u003cp\u003eThe ‘Dip’ knob adjusts the amount of dip to the signal, ‘Rel’ controls the speed of the release; how quickly the sound rises back up, and ‘Vol’ is the volume – the pedal can go quite loud, more than compensating for any loss in overall level due to all the ducking. The LED display gives a visual indication of the amount and length of ducking.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTAP TEMPO\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHowever when instead you plug in the Igor pressure pad controller, the Deep Space Pulsar has tap tempo – a fully correctable facility – enabling it to work if you’re playing along to a DJ or drum machine. Two presses of the Igor programs a tempo (the ‘record’ LED coming on to show that the tempo is being recorded and it’s waiting for the second press), and at any point that tempo can be adjusted to bring it back into sync with the music, enabling the pulsing to stay in time for long periods.\u003c\/p\u003e\u003cp\u003ePressing on Igor for 1 second erases the tempo, for you to start again at a different tempo.\u003c\/p\u003e\u003cp\u003eOr alternatively trigger it from a gate signal voltage! This needs a mono cable (sleeve 0V, tip signal), and each jump in voltage creates a ‘pulse’ in the pedal (like a single bass drum hit would).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePUSH-BUTTON SWITCHES\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThere’s a ‘Pad’ button to alter the sensitivity of the microphone, and also an ‘Inv’ button to invert the whole effect; no sound is heard until the kick drum (or tap tempo) hits, when a pulse of signal is let through – introducing whole new kinds of sounds!\u003c\/p\u003e\u003cp\u003eThis is a revolutionary effect, designed specifically for those that play with other people – whether in bands, clubs or studios.\u003c\/p\u003e \u003cstrong\u003eSpecs:\u003c\/strong\u003e \u003cp\u003eManufacturer: Rainger\u003cbr\u003eType: sidechain pulse\u003cbr\u003eControls: Dip, Rel, Vol, Inv, Pad\u003cbr\u003eDimensions: -\u003cbr\u003eWeight: -\u003cbr\u003ePower Source: 9V\u003cbr\u003eTrue Bypass: -\u003cbr\u003eInputs: Mono in, Igor in\u003cbr\u003eOutputs: Mono out\u003cbr\u003eExtras: -\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":39744762249351,"sku":"RAINGERFXDEEPSPACE-u2","price":200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-controllers-volume-and-expression-rainger-fx-deepspace-pulsar-sidecar-w-igor-footswitch-and-kick-drum-microphone-raingerfxdeepspace-u2-28963827548295.jpg?v=1650035823"},{"product_id":"rainger-fx-snare-trap-1406904","title":"Rainger FX Snare Trap","description":"\u003cb\u003e\u003ci\u003ePlease Note:\u003c\/i\u003e\u003c\/b\u003e Minor blemishes on the pedal.\u003cbr\u003eThe Snare Trap is a drum box sketch pad, a rhythmic backing track configured to inspire musicians of all kinds. It incorporates a bunch of effects to enhance and transform the beat, and uses useful shortcuts to help quickly create your drum track.\u003cbr\u003e\u003cbr\u003eIt’s a hybrid of analogue and digital technology; the bass drum, sidechaining and low-pass filter are all analogue, while the snare and hi-hat, delay and tap tempo are all digital.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCONTROLS\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSHAPE; In the ‘snare’ section, this adjusts the length of the snare sound, making the snare short and sharp, or with a handclap-like thickening.\u003c\/li\u003e\n\u003cli\u003eDRY; This button switches the snare from roomy-sounding to more hard and dry.\u003c\/li\u003e\n\u003cli\u003eHH 4s; The Snare Trap defaults to ‘8s’ on the hi-hat, but push this button in and it does only off-beat ‘4s’.\u003c\/li\u003e\n\u003cli\u003eBD2; With this knob at fully CCW, the second bass drum is on ‘3’. Turning it CW moves this drum later and later, at one point it’s so late it happens in the following beat — in effect happening earlier in the bar; this way BD2 can be adjusted to go anywhere in the bar.\u003c\/li\u003e\n\u003cli\u003eSEND; In the ‘delay’ section, this knob is turned to send the snare — only — to the delay circuit.\u003c\/li\u003e\n\u003cli\u003eRATE; The knob adjusts the timing of the repeats.\u003c\/li\u003e\n\u003cli\u003eFBK; This adjusts the amount of delay feedback.\u003c\/li\u003e\n\u003cli\u003eINSTR SIDE CHAIN; This pushbutton activates the side chain effect on the instrument that’s plugged into the Snare Trap input.\u003c\/li\u003e\n\u003cli\u003eCUT OFF; This large knob adjusts the cut off frequency of the low-pass filter.\u003c\/li\u003e\n\u003cli\u003eLFO RATE; this changes the speed of the LFO that automatically sweeps the cut off frequency\u003c\/li\u003e\n\u003cli\u003eup and down.\u003c\/li\u003e\n\u003cli\u003eON; This blue pushbutton activates the LFO.\u003c\/li\u003e\n\u003cli\u003ePAD; This pushbutton changes the operating mode of the big rubber pad, from tap tempo programming to snare drum fills and white noise bursts.\u003c\/li\u003e\n\u003cli\u003eMIX; This large knob adjusts the blend between all instrument (CVV) to all beats (CCW).\u003c\/li\u003e\n\u003cli\u003eVOLUME; This knob adjusts the overall output volume.\u003c\/li\u003e\n\u003cli\u003eLEDs; The left LED shows the unit is getting power OK. The middle is the tempo indicator, and the right one shows the LFO speed.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSOCKETS\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eIN; Connect your mono %” jackplug instrument cable here\u003c\/li\u003e\n\u003cli\u003e(SYNC OUT); this minijack socket outputs the Snare Trap tap tempo pulse to any external unit.\u003c\/li\u003e\n\u003cli\u003eI\/P Hi\/Lo; this pushbutton attenuates the input signal volume, to accommodate high-output instruments (eg synthesizers)\u003c\/li\u003e\n\u003cli\u003eDC in; Connect 9v power supply unit here (centre earth, sleeve +9v).\u003c\/li\u003e\n\u003cli\u003e‘Trigger in’ sockets; these minijack sockets can be used to trigger BD, SN and HH sounds externally.\u003c\/li\u003e\n\u003cli\u003eOUT; these %” and minijack sockets output the same mono signal\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eABOUT THE TAP TEMPO\u003c\/b\u003e\u003cbr\u003eThe Snare Trap has an incredibly useable — and ground-breaking - tap tempo. It’s possible to sync by ear so the unit works in time to an external music source for several minutes.\u003cbr\u003e\u003cbr\u003eWith the ‘PAD’ switch pushed in, tap the big rubber pad and the ‘4s’ LED will come on steadily — showing the pedal is recording your tempo. Tap the pad again and the LED will go off, but continue flashing at the tempo you just programmed. This tempo can be adjusted at any time; you can tap it once or as many times as you want to correct the tempo.\u003cbr\u003e\u003cbr\u003eTo erase the tempo, press and hold the pad for one long second.\u003cbr\u003e\u003cbr\u003eNOTE: if you try and correct the tap tempo to a very different speed the circuit may get confused! In this situation it’s best to erase it and start again.\u003cbr\u003e\u003cbr\u003eNOTE: The Snare Trap uses about 65mA","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":39751628652679,"sku":"RX-SNARETRAP-u2","price":280.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-drums-and-percussion-drum-machines-and-samplers-rainger-fx-snare-trap-rx-snaretrap-u2-28983487135879.jpg?v=1650098118"},{"product_id":"rainger-fx-drone-rainger-digital-delay-1464941","title":"Rainger FX Drone Rainger Digital Delay","description":"\u003cb\u003e\u003ci\u003ePlease Note:\u003c\/i\u003e\u003c\/b\u003e Minor blemishes on the pedal.\u003cbr\u003e\u003ci\u003eFrom Rainger FX:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThis is the most atmospheric, cinematic pedal that we do…\u003cbr\u003e\u003cbr\u003eIt’s a dub-flavoured digital delay (based on our Echo-X delay pedal), that also produces low, throbbing drones that can also be mixed through the delay circuit. If you play shoegaze, doom\/heavy\/psychedelic rock, or ambient music it’s a fantastic tool for making a powerful base note to play over. Maybe you play in a two piece band? Then it’s essential! You’re a solo electric guitarist making sonic textures?…. You improvise over an atmospheric backing? The Drone Rainger is for you!\u003cbr\u003e\u003cbr\u003eThe guitar signal and the drone signal are independently mixed through the same delay circuit (about 1 second maximum repeat time), with a totally dry guitar switching option. There are actually two analogue tone generators inside the Drone Rainger making up the sound - one with a 12-way selector switch, the other free-moving - so that when they’re tuned nearly the same, you get interesting 'beats’ created between the two of them. Blend them to suit using the 'mix’ knob.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEXTRA FOOTSWITCHES:\u003c\/b\u003e\u003cbr\u003eThe drones also have two instantaneous effects that can be switched in with a footswitch while you play guitar; one is a 'tone-down’ pitch dropping effect - making the pitch sag in a truly ominous way! The other is a white noise burst - made by the delay chip - that echoes away into the distance…\u003cbr\u003e\u003cbr\u003eIt’s also possible to set the pedal to produce two separate notes - and to footswitch between the two while you play, which is extremely useful if the song you’re playing has a section with a different base note or a key change. And if you’re playing along to music that isn’t stictly tuned to pitch, you can adapt using the pedal’s 'fine tune’ knob.\u003cbr\u003e\u003cbr\u003eLike all our stompboxes, it’s housed in a custom-designed enclosure - this one a distinctive desk-style with seven sides. The window in the main front panel is a window into the Drone Rainger’s soul - an aerial view of an industrial part of a city, complete with streets and cars, car parks and streetlamps, toxic chemical silos! A dystopian vision to match the powerful hypnotic sounds…..\u003cbr\u003e\u003cbr\u003eThis is a truly unique pedal in many ways, that can be played as an instrument in itself.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eDIGITAL DELAY WITH 1 SECOND MAXIMUM DELAY TIME\u003c\/li\u003e\n\u003cli\u003eTWO BUILT-IN FULLY-TUNEABLE DRONES FOR INSTANT ATMOSPHERIC BACKING\u003c\/li\u003e\n\u003cli\u003eCAN SWITCH BETWEEN TWO NOTES ON-THE-FLY\u003c\/li\u003e\n\u003cli\u003eDEEPLY COOL 7-SIDED CUSTOM ENCLOSURE\u003c\/li\u003e\n\u003cli\u003eONE-TONE-DOWN SPOT EFFECT\u003c\/li\u003e\n\u003cli\u003eINDUSTRIAL NOISE BURSTS FOR MOMENTARY ACCENTS\u003c\/li\u003e\n\u003cli\u003eAERIAL VIEW OF DYSTOPIAN CITY LURKING INSIDE\u003c\/li\u003e\n\u003cli\u003eCHORUS EFFECT FOR EXTRA TONE GENERATOR 'MOVEMENT’\u003c\/li\u003e\n\u003cli\u003e'DRY GUITAR’ OPTION FOR PEDAL USE PURELY AS A SOUND SOURCE\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":39840860209287,"sku":"RX-DR-u2","price":285.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-delay-rainger-fx-drone-rainger-digital-delay-rx-dr-u2-29128667922567.jpg?v=1648491258"},{"product_id":"rainger-fx-snare-trap-1470089","title":"Rainger FX Snare Trap","description":"\u003cb\u003e\u003ci\u003ePlease Note:\u003c\/i\u003e\u003c\/b\u003e Minor scratches and blemishes.\u003cbr\u003eThe Snare Trap is a drum box sketch pad, a rhythmic backing track configured to inspire musicians of all kinds. It incorporates a bunch of effects to enhance and transform the beat, and uses useful shortcuts to help quickly create your drum track.\u003cbr\u003e\u003cbr\u003eIt’s a hybrid of analogue and digital technology; the bass drum, sidechaining and low-pass filter are all analogue, while the snare and hi-hat, delay and tap tempo are all digital.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCONTROLS\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSHAPE; In the ‘snare’ section, this adjusts the length of the snare sound, making the snare short and sharp, or with a handclap-like thickening.\u003c\/li\u003e\n\u003cli\u003eDRY; This button switches the snare from roomy-sounding to more hard and dry.\u003c\/li\u003e\n\u003cli\u003eHH 4s; The Snare Trap defaults to ‘8s’ on the hi-hat, but push this button in and it does only off-beat ‘4s’.\u003c\/li\u003e\n\u003cli\u003eBD2; With this knob at fully CCW, the second bass drum is on ‘3’. Turning it CW moves this drum later and later, at one point it’s so late it happens in the following beat — in effect happening earlier in the bar; this way BD2 can be adjusted to go anywhere in the bar.\u003c\/li\u003e\n\u003cli\u003eSEND; In the ‘delay’ section, this knob is turned to send the snare — only — to the delay circuit.\u003c\/li\u003e\n\u003cli\u003eRATE; The knob adjusts the timing of the repeats.\u003c\/li\u003e\n\u003cli\u003eFBK; This adjusts the amount of delay feedback.\u003c\/li\u003e\n\u003cli\u003eINSTR SIDE CHAIN; This pushbutton activates the side chain effect on the instrument that’s plugged into the Snare Trap input.\u003c\/li\u003e\n\u003cli\u003eCUT OFF; This large knob adjusts the cut off frequency of the low-pass filter.\u003c\/li\u003e\n\u003cli\u003eLFO RATE; this changes the speed of the LFO that automatically sweeps the cut off frequency\u003c\/li\u003e\n\u003cli\u003eup and down.\u003c\/li\u003e\n\u003cli\u003eON; This blue pushbutton activates the LFO.\u003c\/li\u003e\n\u003cli\u003ePAD; This pushbutton changes the operating mode of the big rubber pad, from tap tempo programming to snare drum fills and white noise bursts.\u003c\/li\u003e\n\u003cli\u003eMIX; This large knob adjusts the blend between all instrument (CVV) to all beats (CCW).\u003c\/li\u003e\n\u003cli\u003eVOLUME; This knob adjusts the overall output volume.\u003c\/li\u003e\n\u003cli\u003eLEDs; The left LED shows the unit is getting power OK. The middle is the tempo indicator, and the right one shows the LFO speed.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSOCKETS\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eIN; Connect your mono %” jackplug instrument cable here\u003c\/li\u003e\n\u003cli\u003e(SYNC OUT); this minijack socket outputs the Snare Trap tap tempo pulse to any external unit.\u003c\/li\u003e\n\u003cli\u003eI\/P Hi\/Lo; this pushbutton attenuates the input signal volume, to accommodate high-output instruments (eg synthesizers)\u003c\/li\u003e\n\u003cli\u003eDC in; Connect 9v power supply unit here (centre earth, sleeve +9v).\u003c\/li\u003e\n\u003cli\u003e‘Trigger in’ sockets; these minijack sockets can be used to trigger BD, SN and HH sounds externally.\u003c\/li\u003e\n\u003cli\u003eOUT; these %” and minijack sockets output the same mono signal\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eABOUT THE TAP TEMPO\u003c\/b\u003e\u003cbr\u003eThe Snare Trap has an incredibly useable — and ground-breaking - tap tempo. It’s possible to sync by ear so the unit works in time to an external music source for several minutes.\u003cbr\u003e\u003cbr\u003eWith the ‘PAD’ switch pushed in, tap the big rubber pad and the ‘4s’ LED will come on steadily — showing the pedal is recording your tempo. Tap the pad again and the LED will go off, but continue flashing at the tempo you just programmed. This tempo can be adjusted at any time; you can tap it once or as many times as you want to correct the tempo.\u003cbr\u003e\u003cbr\u003eTo erase the tempo, press and hold the pad for one long second.\u003cbr\u003e\u003cbr\u003eNOTE: if you try and correct the tap tempo to a very different speed the circuit may get confused! In this situation it’s best to erase it and start again.\u003cbr\u003e\u003cbr\u003eNOTE: The Snare Trap uses about 65mA","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":39848522154119,"sku":"RX-SNARETRAP-u3","price":285.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-drums-and-percussion-drum-machines-and-samplers-rainger-fx-snare-trap-rx-snaretrap-u3-29148862447751.jpg?v=1649097674"},{"product_id":"rainger-fx-echo-x-gated-delay-pedal-wigor-1512274","title":"Rainger FX Echo-X Gated Delay Pedal w\/IGOR","description":"Rainger FX have produced the world’s first gated delay pedal, the Echo-X. A development based on the original Echo-X pedal from 10 years ago, it’s a digital delay, and the repeats can be controlled by the envelope of the guitar signal itself; stop playing and the repeats stop too. This gives the effect of the echo being far more ‘part of the sound’, at times feeling like a tightly-edited guitar sample.\u003cbr\u003e\u003cbr\u003eIt makes runaway feedback oscillations far more manageable too – each separate phrase can have wild howling feedback, with silence in between, then new feedback on the next phrase. Add to this some real-time control using the Rainger FX Igor controller, and pitch-bent echo swirls take over…\u003cbr\u003e\u003cbr\u003eDespite having four switches, five knobs, three LEDs and a foot controller – unbelievably - it’s still a mini-pedal. Each Echo-X is supplied with an Igor – a dual-sensitivity pressure pad. Lightweight, no moving parts – and giving an easy solution to expression on-the-fly.\u003cbr\u003e\u003cbr\u003eAlso on tap is the incredibly useful ‘send’ function; in this mode there’s no delay until you lean on the Igor pad, and whatever you’re playing at that moment is sent off to the delay circuit – to possibly echo away forever while you carry on playing dry. It’s highly expressive - in a satisfyingly ‘dub’ way!\u003cbr\u003e\u003cbr\u003eAdd to this a runaway feedback mode. When the Igor is set to ‘fbk’, with a simple lean on the pad an innocent slap-back delay gets transformed into a stuttering monster of oscillation!\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eThis feature-packed digital delay powerhouse includes…\u003c\/li\u003e\n\u003cli\u003eSeveral modes of cutting-edge delay control\u003c\/li\u003e\n\u003cli\u003e550ms maximum delay time\u003c\/li\u003e\n\u003cli\u003eRepeats filtered for maximum ‘musicality’\u003c\/li\u003e\n\u003cli\u003eNew layers of building feedback on power chords!\u003c\/li\u003e\n\u003cli\u003eA Rainger FX Igor controller for real-time expression\u003c\/li\u003e\n\u003cli\u003eEcho swoops, stutters and crescendos that stop on a dime\u003c\/li\u003e\n\u003cli\u003eA Rainger FX custom mini-pedal enclosure – with no sockets on the side!\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":39900425519239,"sku":"RX-ECHOX","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-delay-ranger-fx-echo-x-gated-delay-pedal-rx-echox-29280504086663.jpg?v=1654535290"},{"product_id":"rainger-fx-break-box-distortion-pedal-1632438","title":"Rainger FX Break Box Distortion Pedal","description":"Break Box is a deceptively simple distortion pedal, with active sustain, and a record scratch trigger facility! Using their original El Distorto overdrive circuit, they’ve added the back half of a Tonebender circuit to end up with a deeply satisfying high intensity gain stompbox with colossal low end, plenty of mids a less ‘scooped’ sound than a Tonebender and searing highs.\u003cbr\u003e\u003cbr\u003eAnd yet it’s incredibly quiet, noise-wise; when not playing, a noise gate quietly shuts off the hisses and buzzes you’d normally associate with this much drive.\u003cbr\u003e\u003cbr\u003eAbout one second after the initial note attack, a chorus effect fades in adding a spatial element to the sound; from the up close chunk of the basic tone, it blooms into a room-like ambience. The speed of this chorus is adjustable, from a slowly churning grind to a fast psychowobble, and as this is added to the main sound it actively adds sustain; there’s a slight but noticeable building of the volume, with an excitement like a wave pushing you forwards...\u003cbr\u003e\u003cbr\u003eTo introduce this mighty sound to your audience, you can press and hold the turntable pad and turn your guitar into a trigger for a record scratch sound, like a DJ cueing up the guitar track that follows! The pitch\/speed of this can also be controlled from a slow, hip-hop scratch to a fast, manic flick of the deck. The scratch itself is generated inside the pedal itself (not a recording). A slight random pitch variation keeps it sounding less ‘sampled’ and more human.\u003cbr\u003e\u003cbr\u003eThis unique distortion pedal includes...\u003cul\u003e\n\u003cli\u003eFocussed, tonally wide, high energy rock distortion sounds\u003c\/li\u003e\n\u003cli\u003eTasty chorus swells on every held note and chord\u003c\/li\u003e\n\u003cli\u003eOver-the-top volume levels\u003c\/li\u003e\n\u003cli\u003eAn unobtrusive noise gate – keeping things totally silent when they should be\u003c\/li\u003e\n\u003cli\u003eAn amazing vinyl record scratch facility – guitar triggerable\u003c\/li\u003e\n\u003cli\u003eHi\/lo trigger sensitivity button\u003c\/li\u003e\n\u003cli\u003eAnother Rainger FX custom asymmetric enclosure – with all top panel sockets\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":40275293732999,"sku":"RX-BREAKBOX","price":239.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-distortion-rainger-fx-break-box-distortion-pedal-rx-breakbox-29965235552391.jpg?v=1667982563"},{"product_id":"rainger-fx-flanger-x-pedal-1702329","title":"Rainger FX Flanger-X Pedal","description":"The Flanger-X is a flanger pedal, designed to provide anything from a slight chorus through to a huge sweeping modulation - with the Igor pressure-sensitive controller able to adjust the modulation speed.\u003cbr\u003e\u003cbr\u003eIt’s digital, but features an analogue sound reproduction of a space rocket launch, as it burns through the atmosphere heading to space! This is envelope-controlled, or on all the time, or just in specific bursts whenever you press Igor.\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eFLANGE\u003c\/b\u003e; this controls the amount of the flanging effect.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eRATE\u003c\/b\u003e; this controls the speed of modulation, going from stationary through to very fast.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eROCKET\u003c\/b\u003e; this knob adjusts the amount of rocket noise, going from none to very loud\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eVOL\u003c\/b\u003e; this adjusts the instrument volume.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFBK\u003c\/b\u003e; turn this to increase the amount of twangy fast echo repeats.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eON\/OFF\u003c\/b\u003e \u003cb\u003efootswitch\u003c\/b\u003e; this engages or disengages the Flanger-X (true bypass).\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eIGOR\u003c\/b\u003e \u003cb\u003ePushbutton Switch\u003c\/b\u003e; this changes the function of Igor from modulation speed increasing, to adding a burst of rocket noise.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eENV\u003c\/b\u003e \u003cb\u003ePushbutton Switch\u003c\/b\u003e; this changes the rocket noise from following the envelope of the instrument signal, to being constantly on.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eAbout the rocket noise\u003c\/b\u003e:\u003cbr\u003eThis is internally generated, and is carefully shaped to have all the 3-D detail of the actual thing, muffled cracks and pops over a huge low roar. At full ‘rocket’ setting, part of the sound is from overloading the input of the digital flanger circuit, creating the final texture of the intense distortion. This means that the ‘PEAK’ LED will probably come on at this point (which is fine and does no harm).\u003cbr\u003e\u003cbr\u003eWhen ‘rocket’ is turned down, the circuit stops being overloaded and the rocket seems to move into the distance... The envelope-controlled rocket noise actually has most of its low-end filtered away, to keep out of the way of the main tone of the notes you’re playing. The constantly-on rocket is full-frequency.","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":40410757398663,"sku":"RX-FLANGERX","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rainger-fx-effects-and-pedals-flanger-rainger-fx-flanger-x-pedal-rx-flangerx-30273298530439.jpg?v=1677016206"},{"product_id":"rainger-fx-deepspace-pulsar-sidecar-wigor-footswitch-1744395","title":"Rainger Fx DeepSpace Pulsar Sidecar w\/Igor Footswitch and Kick Drum Microphone","description":"\u003ci\u003e\u003cb\u003eCondition Note: \u003c\/b\u003eOriginal packaging damaged, minor cosmetic blemishes on pedal.\u003c\/i\u003e\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003cstrong\u003eRainger Fx DeepSpace Pulsar Sidecar w\/Igor and contact Microphone\u003c\/strong\u003e\r\n\u003cp\u003eThis is a sidechainer pedal, an effect that ducks your instrument’s signal each time it gets a trigger – capable of putting deep spaces into your sound!\u003c\/p\u003e\r\n\r\n\u003cp\u003eIt’s an effect that’s heard on many recordings, often subtly – like when a rock rhythm guitar is sidechained with the kick drum, so every time the kick drum hits, the guitar volume dips slightly for that instant – giving a really powerful overall effect… The guitar sounds pumping, or spring-loaded!\u003cbr\u003e\r\nOr it’s sometimes used strongly, to make the signal completely disappear with each kick drum, as in big 4-on-the-floor club tunes. All we’re talking about is change in volume – the Deep Space Pulsar doesn’t affect your tone in any way, and sounds great with bass guitar!\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhatever way you use it, this sidechaining effect has NEVER been so easily available – and controllable – as with the Deep Space Pulsar! (Up to now, it’s always been an effect that’s added in post-production – hardly ever live).\u003c\/p\u003e\r\n\r\n\u003cp\u003eIt comes with a microphone; put that inside your drummer’s kick drum, plug it into the top end panel of the pedal and you’re ready to go! The pedal sits there waiting for the drummer to play….\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe ‘Dip’ knob adjusts the amount of dip to the signal, ‘Rel’ controls the speed of the release; how quickly the sound rises back up, and ‘Vol’ is the volume – the pedal can go quite loud, more than compensating for any loss in overall level due to all the ducking. 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Moving in a triangle waveshape, the speed can be set using two knobs. ‘Slow’ has a low speed range - for long, slowly-twisting cycles right up to fast wobbles, while the second one - ‘fast’ - is in the audio range; tune it in to a specific pitch (across several octaves) underneath the notes or chords that you’re playing.\u003cbr\u003eToggle between these two on-the-fly with the footswitch.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e‘CHOP’\u003c\/strong\u003e\u003cbr\u003eThe Chop Fuzzz has a hard squarewave tremolo built-in. 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It incorporates a bunch of effects to enhance and transform the beat, and uses useful shortcuts to help quickly create your drum track.\u003cbr\u003e\u003cbr\u003eIt’s a hybrid of analogue and digital technology; the bass drum, sidechaining and low-pass filter are all analogue, while the snare and hi-hat, delay and tap tempo are all digital.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003cbr\u003e \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSHAPE; In the ‘snare’ section, this adjusts the length of the snare sound, making the snare short and sharp, or with a handclap-like thickening.\u003c\/li\u003e\n\u003cli\u003eDRY; This button switches the snare from roomy-sounding to more hard and dry.\u003c\/li\u003e\n\u003cli\u003eHH 4s; The Snare Trap defaults to ‘8s’ on the hi-hat, but push this button in and it does only off-beat ‘4s’.\u003c\/li\u003e\n\u003cli\u003eBD2; With this knob at fully CCW, the second bass drum is on ‘3’. Turning it CW moves this drum later and later, at one point it’s so late it happens in the following beat — in effect happening earlier in the bar; this way BD2 can be adjusted to go anywhere in the bar.\u003c\/li\u003e\n\u003cli\u003eSEND; In the ‘delay’ section, this knob is turned to send the snare — only — to the delay circuit.\u003c\/li\u003e\n\u003cli\u003eRATE; The knob adjusts the timing of the repeats.\u003c\/li\u003e\n\u003cli\u003eFBK; This adjusts the amount of delay feedback.\u003c\/li\u003e\n\u003cli\u003eINSTR SIDE CHAIN; This pushbutton activates the side chain effect on the instrument that’s plugged into the Snare Trap input.\u003c\/li\u003e\n\u003cli\u003eCUT OFF; This large knob adjusts the cut off frequency of the low-pass filter.\u003c\/li\u003e\n\u003cli\u003eLFO RATE; this changes the speed of the LFO that automatically sweeps the cut off frequency\u003c\/li\u003e\n\u003cli\u003eup and down.\u003c\/li\u003e\n\u003cli\u003eON; This blue pushbutton activates the LFO.\u003c\/li\u003e\n\u003cli\u003ePAD; This pushbutton changes the operating mode of the big rubber pad, from tap tempo programming to snare drum fills and white noise bursts.\u003c\/li\u003e\n\u003cli\u003eMIX; This large knob adjusts the blend between all instrument (CVV) to all beats (CCW).\u003c\/li\u003e\n\u003cli\u003eVOLUME; This knob adjusts the overall output volume.\u003c\/li\u003e\n\u003cli\u003eLEDs; The left LED shows the unit is getting power OK. The middle is the tempo indicator, and the right one shows the LFO speed.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSOCKETS\u003c\/strong\u003e\u003cbr\u003e \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIN; Connect your mono %” jackplug instrument cable here\u003c\/li\u003e\n\u003cli\u003e(SYNC OUT); this minijack socket outputs the Snare Trap tap tempo pulse to any external unit.\u003c\/li\u003e\n\u003cli\u003eI\/P Hi\/Lo; this pushbutton attenuates the input signal volume, to accommodate high-output instruments (eg synthesizers)\u003c\/li\u003e\n\u003cli\u003eDC in; Connect 9v power supply unit here (centre earth, sleeve +9v).\u003c\/li\u003e\n\u003cli\u003e‘Trigger in’ sockets; these minijack sockets can be used to trigger BD, SN and HH sounds externally.\u003c\/li\u003e\n\u003cli\u003eOUT; these %” and minijack sockets output the same mono signal\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eABOUT THE TAP TEMPO\u003c\/strong\u003e\u003cbr\u003eThe Snare Trap has an incredibly useable — and ground-breaking - tap tempo. It’s possible to sync by ear so the unit works in time to an external music source for several minutes.\u003cbr\u003e\u003cbr\u003eWith the ‘PAD’ switch pushed in, tap the big rubber pad and the ‘4s’ LED will come on steadily — showing the pedal is recording your tempo. Tap the pad again and the LED will go off, but continue flashing at the tempo you just programmed. This tempo can be adjusted at any time; you can tap it once or as many times as you want to correct the tempo.\u003cbr\u003e\u003cbr\u003eTo erase the tempo, press and hold the pad for one long second.\u003cbr\u003e\u003cbr\u003eNOTE: if you try and correct the tap tempo to a very different speed the circuit may get confused! In this situation it’s best to erase it and start again.\u003cbr\u003e\u003cbr\u003eNOTE: The Snare Trap uses about 65mA\u003c\/p\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":40866504638599,"sku":"RX-SNARETRAP-U4","price":270.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/rainger-fx-effects-and-pedals-controllers-volume-and-expression-rainger-fx-snare-trap-rx-snaretrap-u4-31046322290823.jpg?v=1706221001"},{"product_id":"rainger-fx-the-drone-rainger-pedal-2021795","title":"Rainger FX The Drone Rainger Pedal","description":"\u003cb\u003eThis pedal is in in good shape and working condition.\u003c\/b\u003e\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003cb\u003eThis used product includes only what is pictured here. If you have any questions, please call or chat us!\u003c\/b\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":41339823980679,"sku":"US24-RAIN-DRONE","price":159.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/rainger-fx-effects-and-pedals-delay-rainger-fx-the-drone-rainger-pedal-rainger-fx-the-drone-rainger-pedal-us24-rain-drone-1032787428.jpg?v=1768392167"},{"product_id":"rainger-fx-mini-drone-pedal-2049103","title":"Rainger FX Mini Drone pedal","description":"\u003cp\u003eThe Minidrone is a stripped-down all analog version of the Drone Rainger. It’s really fun to play over, and is a great foundation for improvisation, songwriting and dramatic live performance.\u003c\/p\u003e\u003cp\u003eIt’s a deep and huge analogue synth, with modulation, made of up to three low-pitched triangle-wave oscillators mixed together.\u003c\/p\u003e\u003cp\u003eTwo of these oscillators are always in unison whatever the pitch - Drone1 - though very slightly out-of-tune with each other. This creates ‘beats’ between them, a slow, wide-band modulation that keeps the drone very listenable. The pitch is controlled by ‘Pitch1’.\u003c\/p\u003e\u003cp\u003eAdd in the other tone generator - Drone2 - and you can make any kind of musical interval between the drones; major and minor thirds, a fifth, octaves, or thick unison.\u003cbr\u003eAnd all points in between - including tasty discordant chords, modulating fast and strangely…\u003c\/p\u003e\u003cp\u003eDrone1 and Drone2 are fully independently tuneable - with sweepable knobs - by tuner, or by ear (low volume is recommended for accuracy), with a range of approximately two octaves.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIgor\u003c\/strong\u003e\u003cbr\u003eThe Minidrone comes with an Igor controller - a small pressure sensitive pad - which, when pressed, drops the overall pitch down a tone (two frets), rising back up on release. This creates a darkly atmospheric starting point for writing songs, riffs, or improvising…\u003c\/p\u003e\u003cp\u003eFlip the ‘1\/2Tone’ switch and this drop-down becomes only a semitone.\u003c\/p\u003e\u003cp\u003eThese two drop-down options actually make the pedal work in every kind of musical mode - dark and sinister, or happy up-beat ones, weird minor ones, blissed-out ones… the Minidrone is very musical and inspiring to play over.\u003c\/p\u003e\u003cp\u003eThere’s tons of bass - the tone is deep and electro. It’s like hitting a low note on some big-ass old synth (Korg MS-20? Yamaha CS-80?) and bending it…! But in Rainger FX minipedal format (custom enclosure). It’s an electric tamboura! In a two-piece band it’s your low-end!\u003c\/p\u003e\u003cp\u003eThe Minidrone is true bypass, and loud. You mix the drones in with your clean guitar signal, which passes through the pedal - buffered, but unaffected. It’s designed to be used in series with other pedals, all plugged into a single input.\u003c\/p\u003e\u003cp\u003eAccommodation:\u003c\/p\u003e\u003cp\u003eThrough a window in the front panel you can see a motel scene inside - with car parks leading onto a busy road. The car headlamps light up. There’s an eerie streetlamp glow - and the motel sign flashes whenever you press the Igor pad.\u003c\/p\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":41573408997511,"sku":"RX-MINIDRONE","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/rainger-fx-effects-and-pedals-compression-and-sustain-rainger-fx-mini-drone-pedal-rainger-fx-mini-drone-pedal-rx-minidrone-1055875972.jpg?v=1768938632"},{"product_id":"rainger-fx-pull-focus-distortionreverbchorus-pedal-2129183","title":"Rainger FX Pull Focus Distortion\/Reverb\/Chorus Pedal","description":"\u003cp\u003eThe Pull Focus is a high gain distortion pedal, with either a reverb or chorus effect fading in after a short while. It has a noise gate too, which unobtrusively keeps the pedal silent when you’re not playing.  The distortion is all analog, the reverb and chorus are digital.  It’s a multi-effects pedal, of a very particular kind….\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDistortion\u003c\/strong\u003e\u003cbr\u003eThe distortion is made from our favourite overdrive circuit, but going into the back end of the Tonebender circuit that we made for Colorsound when we did our collaboration on their Freakenbender pedal a while back. We worked hard to make it as balanced, versatile, powerful and silent as possible, ending up with an incredibly satisfying chunky tone. Full-range, not very scooped, tonally.\u003cbr\u003eThere are ‘volume’, ‘tone’, and ‘gain’ controls.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFade In\u003c\/strong\u003e\u003cbr\u003eDeveloped originally for our Break Box pedal, the Pull Focus has the same delayed fade-in for the chorus effect - but with an adjustable fade-in ramp; with the ‘ramp’ knob fully CCW the effect is in all the time, but as you start to turn it the effect takes a short while (less than a second?) to appear after the pick attack. As you turn it more, this delay time gradually increases - to around eight seconds maximum, until at fully CW it never actually comes in at all, ie in practice you can turn off that effect totally if you only want distortion.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eChorus Or Reverb\u003c\/strong\u003e\u003cbr\u003ePress the ‘effect’ switch and the chorus sound is replaced by a spectacular digital reverb effect!\u003c\/p\u003e\u003cp\u003eSo with lots of short notes (eg fast soloing) the guitar is totally dry all the time, but intense and powerfully distorted. But play a long note or chord and it blooms into a huge spatial thing; all your long bent notes automatically grow into massive, swooping sounds, full of emotion and with the ambience of a hall-sized reverb! It’s incredibly fun and dynamic to play through!\u003c\/p\u003e\u003cp\u003eHowever with the next note you play it dramatically snaps off hard - back to totally dry, close, and focussed. So the listener’s attention is drawn from up-close and in-your-face to a more distant reverbed sound - and then back; just as in film-making, a ‘pull focus’ leads the viewers attention from a face close by (a further-away face being blurred) to a face further away (the close-by one now being blurred).\u003c\/p\u003e\u003cp\u003eThe Pull Focus pedal is a very ‘3D’ effect, your guitar automatically moving from near to far away in an original and exciting way.\u003c\/p\u003e\u003cp\u003eThere’s a dual-purpose ‘effect’ knob, which - when using chorus - adjusts the speed of the modulation. When using reverb though this knob decides the depth and size of the reverberation. This goes from a cavernous effect right down to an almost-not-there small room-y thing; great for when you don’t want the obvious reverb mushroom cloud, but you’d like your long-held notes to seem…. somehow extra profound! But in a way that the audience may not even consciously register…\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eActive Sustain\u003c\/strong\u003e\u003cbr\u003eThis fading-in of the secondary effect is actually ‘active sustain’, a definite increase in your guitar signal level - as opposed to the usual dying away. On the chorus setting, this feels like a churning wave coming from behind to lift you forwards.  With reverb it’s a monster growing out of your guitar!\u003c\/p\u003e\u003cp\u003eThe chorus speed goes from a very slow twist (think Jane’s Addiction\/Smashing Pumpkins double-tracked?) through a mid-tempo obvious modulation (Bowie’s ‘Lodger’?) up to a fast psychotic wobble (Devo? Spongebob\/Peewee Herman??)\u003c\/p\u003e\u003cp\u003eThere’s an on\/off status LED, plus a large ‘ramp’ LED - which gives a visual indication of what’s going on sonically.\u003c\/p\u003e\u003cp\u003eThere’s a ‘quiet guitar boost’ switch - to ensure the noise gate and pick detection circuits work great whatever kind of instrument you’re using.\u003c\/p\u003e\u003cp\u003eIt’s true bypass, and housed in another deeply cool Rainger FX custom enclosure. Desk-style, a slight flare to it, and symmetrical - to help all our OCD musician friends.\u003c\/p\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":41914219298951,"sku":"RX-PULLFOCUS","price":239.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/rainger-fx-effects-and-pedals-distortion-rainger-fx-pull-focus-distortion-reverb-chorus-pedal-rainger-fx-pull-focus-distortion-reverb-chorus-pedal-rx-pullfocus-1081900758.jpg?v=1768604447"},{"product_id":"rainger-fx-snare-trap-2166475","title":"Rainger FX Snare Trap","description":"\u003cp\u003e\u003ci\u003e\u003cstrong\u003eCondition Note: \u003c\/strong\u003eMissing box, minor cosmetic blemishes.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eThe Snare Trap is a drum box sketch pad, a rhythmic backing track configured to inspire musicians of all kinds. It incorporates a bunch of effects to enhance and transform the beat, and uses useful shortcuts to help quickly create your drum track.\u003cbr\u003e\u003cbr\u003eIt’s a hybrid of analogue and digital technology; the bass drum, sidechaining and low-pass filter are all analogue, while the snare and hi-hat, delay and tap tempo are all digital.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003cbr\u003e \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSHAPE; In the ‘snare’ section, this adjusts the length of the snare sound, making the snare short and sharp, or with a handclap-like thickening.\u003c\/li\u003e\n\u003cli\u003eDRY; This button switches the snare from roomy-sounding to more hard and dry.\u003c\/li\u003e\n\u003cli\u003eHH 4s; The Snare Trap defaults to ‘8s’ on the hi-hat, but push this button in and it does only off-beat ‘4s’.\u003c\/li\u003e\n\u003cli\u003eBD2; With this knob at fully CCW, the second bass drum is on ‘3’. Turning it CW moves this drum later and later, at one point it’s so late it happens in the following beat — in effect happening earlier in the bar; this way BD2 can be adjusted to go anywhere in the bar.\u003c\/li\u003e\n\u003cli\u003eSEND; In the ‘delay’ section, this knob is turned to send the snare — only — to the delay circuit.\u003c\/li\u003e\n\u003cli\u003eRATE; The knob adjusts the timing of the repeats.\u003c\/li\u003e\n\u003cli\u003eFBK; This adjusts the amount of delay feedback.\u003c\/li\u003e\n\u003cli\u003eINSTR SIDE CHAIN; This pushbutton activates the side chain effect on the instrument that’s plugged into the Snare Trap input.\u003c\/li\u003e\n\u003cli\u003eCUT OFF; This large knob adjusts the cut off frequency of the low-pass filter.\u003c\/li\u003e\n\u003cli\u003eLFO RATE; this changes the speed of the LFO that automatically sweeps the cut off frequency\u003c\/li\u003e\n\u003cli\u003eup and down.\u003c\/li\u003e\n\u003cli\u003eON; This blue pushbutton activates the LFO.\u003c\/li\u003e\n\u003cli\u003ePAD; This pushbutton changes the operating mode of the big rubber pad, from tap tempo programming to snare drum fills and white noise bursts.\u003c\/li\u003e\n\u003cli\u003eMIX; This large knob adjusts the blend between all instrument (CVV) to all beats (CCW).\u003c\/li\u003e\n\u003cli\u003eVOLUME; This knob adjusts the overall output volume.\u003c\/li\u003e\n\u003cli\u003eLEDs; The left LED shows the unit is getting power OK. The middle is the tempo indicator, and the right one shows the LFO speed.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSOCKETS\u003c\/strong\u003e\u003cbr\u003e \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIN; Connect your mono %” jackplug instrument cable here\u003c\/li\u003e\n\u003cli\u003e(SYNC OUT); this minijack socket outputs the Snare Trap tap tempo pulse to any external unit.\u003c\/li\u003e\n\u003cli\u003eI\/P Hi\/Lo; this pushbutton attenuates the input signal volume, to accommodate high-output instruments (eg synthesizers)\u003c\/li\u003e\n\u003cli\u003eDC in; Connect 9v power supply unit here (centre earth, sleeve +9v).\u003c\/li\u003e\n\u003cli\u003e‘Trigger in’ sockets; these minijack sockets can be used to trigger BD, SN and HH sounds externally.\u003c\/li\u003e\n\u003cli\u003eOUT; these %” and minijack sockets output the same mono signal\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eABOUT THE TAP TEMPO\u003c\/strong\u003e\u003cbr\u003eThe Snare Trap has an incredibly useable — and ground-breaking - tap tempo. It’s possible to sync by ear so the unit works in time to an external music source for several minutes.\u003cbr\u003e\u003cbr\u003eWith the ‘PAD’ switch pushed in, tap the big rubber pad and the ‘4s’ LED will come on steadily — showing the pedal is recording your tempo. Tap the pad again and the LED will go off, but continue flashing at the tempo you just programmed. This tempo can be adjusted at any time; you can tap it once or as many times as you want to correct the tempo.\u003cbr\u003e\u003cbr\u003eTo erase the tempo, press and hold the pad for one long second.\u003cbr\u003e\u003cbr\u003eNOTE: if you try and correct the tap tempo to a very different speed the circuit may get confused! In this situation it’s best to erase it and start again.\u003cbr\u003e\u003cbr\u003eNOTE: The Snare Trap uses about 65mA\u003c\/p\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":42039061545095,"sku":"RX-SNARETRAP-U5","price":270.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/rainger-fx-effects-and-pedals-controllers-volume-and-expression-rainger-fx-snare-trap-rainger-fx-snare-trap-rx-snaretrap-u5-1092188853.jpg?v=1768366851"},{"product_id":"rainger-fx-reverb-x-reverb-pedal-wigor-2166175","title":"Rainger FX Reverb-X Reverb Pedal w\/IGOR","description":"\u003cp\u003eThis is a digital reverb mini-pedal, simple to use, but giving a whole selection of unique – and very useful – new sounds. It comes with an Igor expression pad for real-time control. ‘Size’ adjusts the length of the effect, and ‘Level’ the amount of it you hear (the original guitar signal is always present).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDISTORTION\u003c\/strong\u003e\u003cbr\u003eThe Reverb-X really comes into its own in how it can deal with the reverb. It’s based on the excitement of plugging an overdrive pedal after a reverb pedal; it’s ‘wrong’, but everything you play sounds huge and epic, exaggerated and full of texture and detail… Here, an overdrive circuit – after the reverb – can be blended in via the ‘Distn’ knob. Have it totally clean, a bit gritty, quite rough, or dial in a fully burnt-out glow.\u003c\/p\u003e\u003cp\u003eAt all times, however, the input signal is unaffected; if you already use an overdrive pedal, the Reverb-X can add a whole new dimension of distortion to your sound! If your tone is clean however, it stays clean – no matter how much distorted reverb you dial in.\u003c\/p\u003e\u003cp\u003eUsually though, in this situation when you stop playing, the hum from your cable alone would be as loud as the notes you were playing! So you have to have a noise gate involved…\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNOISE GATE\u003c\/strong\u003e\u003cbr\u003eThe noise gate is post reverb and distortion. With it switched on it opens when you play, and closes hard when you stop, cutting off any reverb that’s happening – giving an incredibly dramatic and original effect. Sure, it’s a gated reverb, but play a long riff and the gate stays open, giving the full reverberation as set by the ‘Size’ knob. Stop playing and the whole thing is shut down, giving a tight control over it – like a hard-edited ‘sample’.\u003c\/p\u003e\u003cp\u003eThe ‘input’ control and ‘Overload’ LED ensure that the output is always as loud – and clean (if desired) – as possible. The ‘Out’ knob has plenty of spare output volume on tap.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIGOR\u003c\/strong\u003e\u003cbr\u003ePlug in the Igor expression pad and you get no reverb at all. However as you start to lean on it the signal gets diverted to the waiting reverb pathway, and a bloom of reverberation grows behind whatever notes you’re playing. Take your foot off of Igor and you go back to fully dry – but the reverb decays on its own.\u003c\/p\u003e\u003cp\u003eOr have the ‘Gate’ switch in, and the added reverb is cut short, like some twisted dub-meister at the controls, messing with everyone’s depth perception….\u003c\/p\u003e\u003cp\u003eThe two types of reverb available are set to cover the widest range of musical situations as possible. The Reverb-X is an incredibly flexible, easy-to-use, and inspiring effect – all in a deeply cute package!\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDIGITAL REVERB CUSTOM MINI-PEDAL WITH UP TO 6 SECONDS OF REVERBERATION TIME\u003c\/li\u003e\n\u003cli\u003eINCLUDES AN IGOR PRESSURE PAD CONTROLLER FOR REAL-TIME CONTROL!\u003c\/li\u003e\n\u003cli\u003eBLEND IN ANY AMOUNT OF DISTORTED REVERB FOR SMOULDERING ATMOSPHERICS…\u003c\/li\u003e\n\u003cli\u003eAMAZING ‘EDITED GUITAR SAMPLE’ SIMULATION!\u003c\/li\u003e\n\u003cli\u003eBRIGHT AND IMMEDIATE SPARKLE-VERB, OR DARK AND BROODING PRE-DELAYED AMBIENCE\u003c\/li\u003e\n\u003cli\u003eEFFECTS ‘SEND’ FUNCTION ALLOWS SOUNDS TO REVERB AWAY WHILE YOU CARRY ON PLAYING DRY\u003c\/li\u003e\n\u003cli\u003eDOES CLEAN BRIGHT REVERB, ‘LIVE BOOTLEG’ REVERB, 80’S GATED REVERB, SPACEROCK OVERLOAD REVERB…\u003c\/li\u003e\n\u003cli\u003eBUILT-IN NOISE GATE KEEPS UNWANTED HUMS AND BUZZES TO A MINIMUM\u003c\/li\u003e\n\u003cli\u003eINPUT CONTROL AND INDICATOR FOR OPTIMUM SIGNAL-TO-NOISE\u003c\/li\u003e\n\u003cli\u003eDEEPLY COOL RAINGER FX CUSTOM MINI-PEDAL STEEL ENCLOSURE\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":42569684451463,"sku":"RX-REVERB-X","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/rainger-fx-effects-and-pedals-reverb-rainger-fx-reverb-x-reverb-pedal-w-igor-rainger-fx-reverb-x-reverb-pedal-w-igor-rx-reverb-x-1155875059.jpg?v=1768220776"},{"product_id":"rainger-fx-razor-fuzz-pedal-2326047","title":"Rainger FX Razor Fuzz Pedal","description":"\u003cp\u003eThe Razor Fuzz is an intense, spitty, gated fuzzbox, with a ‘virtual plectrum’ facility; choose which one of four virtual plectrums you’d like to use!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFUZZ\u003c\/strong\u003e\u003cbr\u003eThe fuzz circuitry is all analog - our own original circuit - and designed to be really fun to play through. For a very high gain circuit it’s surprisingly quiet when you don’t play, and is relatively uncompressed - and cleans up significantly when you roll your guitar’s volume down.\u003cbr\u003eThe ‘extra’ switch gives some extra gain to the fuzz, and adds a dash more hi-mid, with less bass.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePICK\u003c\/strong\u003e\u003cbr\u003eElectric guitarists are notoriously obsessive about every aspect of their sound - not least the type of plectrum they use, and often this colours the attack of the note itself. 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With it all the way CW it’s extremely noticeable.\u003c\/li\u003e\n\u003cli\u003e‘\u003cstrong\u003eSandpaper\u003c\/strong\u003e’ adds extra impact to low Metal-style chugged chords, and more attack to single notes.\u003cbr\u003eThink Brian May’s sixpence coin plectrum on steroids.\u003c\/li\u003e\n\u003cli\u003e‘\u003cstrong\u003eMetal\u003c\/strong\u003e’ is like false ‘pinched harmonics’ - turns a hi-gain fuzz solo into Hair Metal ‘25. Adds a sparkly Techno attack to each note.\u003c\/li\u003e\n\u003cli\u003e‘\u003cstrong\u003eMetal long’ \u003c\/strong\u003eadds a slightly mad edge to everything; mixed together with single notes gives a random ring modulator effect. 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For a very high gain circuit it’s surprisingly quiet when you don’t play, and is relatively uncompressed - and cleans up significantly when you roll your guitar’s volume down.\u003cbr\u003eThe ‘extra’ switch gives some extra gain to the fuzz, and adds a dash more hi-mid, with less bass.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePICK\u003c\/strong\u003e\u003cbr\u003eElectric guitarists are notoriously obsessive about every aspect of their sound - not least the type of plectrum they use, and often this colours the attack of the note itself. 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If you’re using the Binary Pulsar in mono, both outputs are summed and sent to the left output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDC in\u003c\/strong\u003e; The Binary Pulsar is powered by a standard 9v effects pedal power supply, plugged in here. Power consumption is\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eMain front panel\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVOL\u003c\/strong\u003e; This knob adjusts the overall volume.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHOLD\u003c\/strong\u003e; Labelled ‘DIP’ on the old Deep Space Pulsar, this control decides when dipped, how long the signal stays dipped for. \u003cbr\u003eIf the hold knob is turned down low enough, the volume may not have time to fully dip down in the first place, so - with some release time added (turn REL up) - you can hear what seems like a shallower dip.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eREL\u003c\/strong\u003e; With the same name on the Deep Space Pulsar, this release control adjust the length of the rise up to previous level when the signal recovers after the dip.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWIDE\u003c\/strong\u003e; This delays the right side signal only. When turned slightly it puts the left and right sidechaining out of sync - which has the effect of turning a mono dip into a stereo one. As the knob is turned further, this can turn a ‘16s’ pattern into a ‘32nds’ one, and turning further into a swing feel pulse.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRES\u003c\/strong\u003e; At fully CCW this knob has no effect, but as it’s turned some resonance is slowly added to the pedal’s outputs - becoming very synthy and squelchy as it approaches the far end of travel.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDIST (knob)\u003c\/strong\u003e; This adjusts the volume of the digital distortion effect.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFootswitch\u003c\/strong\u003e; This turns the Binary Pulsar on and off. It’s a digital bypass (buffered).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eINV\u003c\/strong\u003e; This pushbutton inverts the sidechain dip into a pulse - momentarily jumping up from silence.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e½ INV\u003c\/strong\u003e; This switch inverts only one side of the outputs, giving a strong and dramatic stereo effect.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDIST (pushbutton\u003c\/strong\u003e); This changes the function of the rubber pad below it. With the switch out, the rubber pad is used to input tap tempo. With it in, it changes the pad’s action to adding momentary distortion (with a bit of flanging) to the output. Press and hold the pad for three seconds and the distortion latches on (or latches off).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8s\u003c\/strong\u003e; This doubles up a 4s input to 8s.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16s\u003c\/strong\u003e; This quadruples a 4s input to 16s. Press in both the ‘8s’ and ‘16s’ switches and you get ‘12s’. Turn the ‘WIDE’ knob to halfway and you get 32nds - split between the two outputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWHITE LEDs\u003c\/strong\u003e; The first one (10mm) is the main ‘on\/off’ indicator. The other two are ‘left’ and ‘right’, and flash according to how the signal processing controls are set. It’s a visual indicator of the length of the release ‘REL’, and the amount of right-side delay ‘WIDE’.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe pad;\u003c\/strong\u003e Use this to either program the internal tap tempo, or to momentarily switch the internal distortion on (according to how the ‘DIST’ switch is set…. See above).\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eUsing the tap tempo\u003c\/strong\u003e\u003cbr\u003eIn tap tempo mode (‘DIST’ switch not illuminated), hold down the pad for a long second to cancel any previous tempo. Then tap once (L \u0026amp; R LEDs stay on to show it’s in record), then a second time, and the tempo is programmed and marches off.\u003c\/p\u003e\u003cp\u003eThe tap tempo is correctible; if you’re trying to sync manually with an external track (eg a DJ), at any point you can tap once again if it starts drifting out of sync. Or as many times as you want until it sounds right.\u003c\/p\u003e\u003cp\u003eTo make a big change to the tempo you need to cancel it and start again (hold down the pad until the white LEDs stop flashing).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNOTE\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe pedal has no ‘mix’ control between left and right outputs; if necessary adjust this externally.\u003c\/li\u003e\n\u003cli\u003eThe ‘Hold’ and ‘Rel’ controls are designed to mimic the Deep Space Pulsar controls exactly. \u003c\/li\u003e\n\u003cli\u003eWith the Binary Pulsar, all useful kinds of sidechaining are possible - from subtle groove-inducing dips, to massive NY Freestyle stereo patterns!\u003c\/li\u003e\n\u003cli\u003eIf two instruments are plugged in - one in the left input, one right - their separate-ness is preserved through the Binary Pulsar; the left one comes out of the left output, the right out of the right.\u003c\/li\u003e\n\u003cli\u003eIt draws 165mA.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":44818454184071,"sku":"RX-BINARY-PULSAR","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/rainger-fx-effect-pedals-rainger-fx-binary-pulsar-stereo-tremolo-pedal-rainger-fx-binary-pulsar-stereo-tremolo-pedal-rx-binary-pulsar-1243180023.jpg?v=1780944792"},{"product_id":"rainger-fx-minibar-liquid-analyser-2591681","title":"Rainger FX Minibar Liquid Analyser","description":"\u003cb\u003eThis Rainger FX Minibar Liquid Analyser is in great shape and working condition\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThis used product includes only what is pictured here. If you have any questions, please call or chat us!\u003c\/b\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":44845083951239,"sku":"U7644706002","price":110.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/rainger-fx-effect-pedals-rainger-fx-minibar-liquid-analyser-rainger-fx-minibar-liquid-analyser-u7644706002-1244000657.jpg?v=1781227120"},{"product_id":"rainger-fx-recycle-box-analog-distortion-w-digital-2642607","title":"Rainger FX Recycle Box Analog Distortion w\/ Digital Delay","description":"\u003cp\u003eThe Recycle Box is an analog distortion pedal, with digital delay built-in, housed in one of our asymmetrical custom enclosures!\u003c\/p\u003e\u003cp\u003eThe distortion circuit is the same as in our Break Box pedal - which itself is based on our favourite overdrive circuit, combined with the back half of the distortion circuit from our Tonebender collaboration (the Freakenbender) with Colorsound - from a while back.\u003c\/p\u003e\u003cp\u003eThe enclosure is from our last Break Box pedal production run - hence the name!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe idea behind…\u003c\/strong\u003e\u003cbr\u003e… the Recycle box was, to have a wild rattle-y echo momentarily available, easy to feedback - with a hard switch back to dry distortion when the big PAD was released... All broad strokes drama! The delay is actually a triple-tap delay, each ‘tap’ specifically timed - together to give exciting echo chaos!... The Recycle Box is not a shy pedal.\u003c\/p\u003e\u003cp\u003eRecycling the Break Box enclosure meant we were constricted to that same number of controls we had before. There are the usual three distortion section knobs, then two delay controls. Usually a delay has three; ‘Amount’, ‘Time’, and ‘Feedback’…. \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhich one to do without then?\u003c\/strong\u003e\u003cbr\u003eWe decided that feedback and delay time were the most important, so there’s no ‘amount’ knob here. On the Recycle Box this is fixed to ‘LOTS of echo’ - in line with the maximum attitude of this edgy pedal!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVol\u003c\/strong\u003e; This knob adjusts the overall volume of the pedal.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTone\u003c\/strong\u003e; This knob adjusts the overall tone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain\u003c\/strong\u003e; This knob adjusts the gain of the distortion.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFeedback\u003c\/strong\u003e; This large knob controls the amount of echo repeats when the echo is in use, going from three single multi-tap repeats up to runaway wild feedback.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTime\u003c\/strong\u003e; This changes the length of the delay - up to a 770ms maximum repeat length.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePAD FLIP\u003c\/strong\u003e; This pushbutton switch on the top end panel inverts the function of the big PAD - changing it from dry distortion with momentary delayed distortion, to delayed distortion with no delay when the PAD is pressed - so you can latch the delay on if you want.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe PAD\u003c\/strong\u003e; Use this non-latching switch to change the program from dry distortion, to echo distortion (or vice versa).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain footswitch\u003c\/strong\u003e; This turns the pedal on and off. The Recycle Box is true bypass.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWhite LED\u003c\/strong\u003e; This shows the overall status of the pedal.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eNOTE\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe echo effect comes after the distortion… Clean digital repeats of a chunky clipped guitar sound.\u003c\/li\u003e\n\u003cli\u003eThe Recycle Box doesn’t have the chorus effect fade-in that the Break Box has.\u003c\/li\u003e\n\u003cli\u003eThe delayed distortion program actually includes a noise gate; Huge amounts of gain in an analog circuit right next to a clean echo effect can easily result in unwanted oscillation, so this is to combat that problem.\u003c\/li\u003e\n\u003cli\u003eAt Rainger FX we often use an attenuation ‘pad’ - to step down (decrease) a signal level. To stop confusion between that, and the big rubber pad that we also often use, we refer to the big rubber one in upper case letters… ‘PAD’\u003c\/li\u003e\n\u003cli\u003eThe pedal draws about 65mA.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rainger FX","offers":[{"title":"Default Title","offer_id":45468230910087,"sku":"RX-RECYCLE-BOX","price":239.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/rainger-fx-effect-pedals-rainger-fx-recycle-box-analog-distortion-w-digital-delay-rainger-fx-recycle-box-analog-distortion-w-digital-delay-rx-recycle-box-1255043928.jpg?v=1787165417"}],"url":"https:\/\/www.chicagomusicexchange.mom\/en-ca\/collections\/rainger-fx.oembed?page=2","provider":"Chicago Music Exchange","version":"1.0","type":"link"}