{"title":"SubDecay","description":"","products":[{"product_id":"subdecay-harmonic-antagonizer-fuzz-oscillator-17396","title":"Subdecay Harmonic Antagonizer Fuzz Oscillator","description":"\u003cp\u003e\u003cstrong\u003eFrom Subdecay:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe Antithesis of vintage fuzz.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe Harmonic Antagonizer is not a traditional fuzz box. There’s no reverence for 1960s tradition here. No Germanium transistors. No NOS carbon film resistors. If you think fuzz should be smooth, or warm, or velvety… or polite then this ain’t for you. The Harmonic Antagonizer is a cold heartless sonic butcher.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eFuzz? Oscillation? Chaos synthesizer and tone destroyer!\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe fuzz moniker is really inadequate.\u003cspan\u003e  \u003c\/span\u003eBeing a non-traditional effect few familiar references will prepare you for the experience of the Harmonic Antagonizer. It turns any instrument in to a noise machine.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThere are really three things going on inside.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eTriggered oscillator- It turns on whenever it senses an input signal.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eSquare wave fuzz- It is always trying to overpower the oscillator and bend it to its will.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eVCA (Voltage controlled amplifier)- Rather than fading out out in to a clean tone like most fuzz, the output level falls as the signal level diminishes.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eMaking noise\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eIt’s a constant never-ending fight between fuzz and oscillator. So yeah… what does that actually sound like?\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe oscillator can get pretty wild and unruly. It can make things sound nasally, noisy, glitchy or even a faux bass synth. It can make things sound like a broken bit computer with pixilated decay. While the oscillator output is usually mathematically related to the note being played our brains may not always understand it without a reference tone. That’s where the square wave fuzz comes in handy.\u003cspan\u003e  \u003c\/span\u003eIt’s the sonic glue that can hold things together when they get really messy. It’s also useful to let some bass frequencies through when the oscillator frequency is high. The VCA trails off the output as the input level falls. This means no hard gating.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eIt shares some characteristics with the NoiseBox which we retired in 2012. The original idea was to make something the Flaming Lips or Nine Inch Nails would use. (Steven Drozd used the NoiseBox extensively on 2009’s Embryonic.) If you want to know more about the differences and improvements click on the comparison tab to the left.\u003c\/span\u003e\u003c\/p\u003e Controls: \u003cul\u003e\n\u003cli\u003e\u003cspan\u003eSustain- Set higher for longer sustain. This is not a distortion or fuzz control. The effect is always Distorted, fuzzy and squared. Sound will fade out as notes decay.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBlend- Sets the mix of fuzz and oscillator circuits. Turn to the left for square wave fuzz. Turn right for more oscillator.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFreq.- Manually set the frequency of the oscillator.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSense- Envelope control of the oscillator. When turned to the right higher in put drives the oscillator in to higher frequencies.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVolume- Sets the overall output level.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SubDecay","offers":[{"title":"Default Title","offer_id":33923432382599,"sku":"SUBDHARMANTAG","price":169.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/subdecay-effects-and-pedals-fuzz-subdecay-harmonic-antagonizer-fuzz-oscillator-subdharmantag-28397778206855.jpg?v=1648869796"},{"product_id":"subdecay-liquid-sunshine-mkiii-overdrive-17397","title":"Subdecay Liquid Sunshine MKIII Overdrive","description":"\u003cp\u003e\u003cstrong\u003eFrom Subdecay:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eMany users of the original Liquid Sunshine described it as “tweedy” or “voxy.” While the mkIII sounds similar it is not meant to be an “amp in a can” device. It’s inspired by the idea that an overdrive should “play nice” with your tone. It works with the gear you already use. It won’t make your amplifier sound like something it’s not. It simply adds a little magic.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe Liquid Sunshine mkIII is well suited for use with a clean amplifier, or pushing a cranked amp. This is especially important for playing at different volume levels. It feels equally at home on stage, at rehearsal or simply practicing at home.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eIt loves being stacked with other drive pedals. It’s great for pushing other drive pedals, but unlike many other low gain overdrives it excels when pushed by other dirt boxes too.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe updated Liquid Sunshine mkIII pays tribute to its roots with a remarkably similar character and better control. Your guitar and pickups will shine through on all settings. The mkIII is slightly more transparent than earlier versions, especially at low gain settings. Higher gain settings have a more bite with more gain than the original and tone that will put a smile on your face.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThere are two internal switches for a bass and treble boost. These are very helpful with different amps. If you find most overdrive pedals push your amp too hard, or get too squashed by low end response turn the bass switch off. Especially useful when you are pushing an already overdriven amp.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eFor amps with darker speakers turn treble switch on. Turn it off for brighter amplifiers, and especially for amps with smaller speakers.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eWhat has Changed?\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe emphasis control replaces the second drive knob: Similar to a tone control, the emphasis knob also adds a little gain. This allows you to control the overall character without making the overdrive too bright.\u003c\/span\u003e\u003c\/p\u003e \u003cspan\u003eSpecs:\u003c\/span\u003e \u003cul\u003e\n\u003cli\u003e\u003cspan\u003ePowered by a 9 volt battery or a regulated 9VDC to 18VDC adapter with a negative center 2.1mm barrel style plug.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePower supply is not included.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIf using a “daisy chain” power supply, all other pedals MUST be negative ground.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCurrent draw is less than 10mA.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLength 4.4″ X Width 2.3″ X Height 1.0″\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInput impedance- 1M.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOutput impedance- varies from 10k to 50K.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe Liquid Sunshine is hand made in Oregon.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDie-cast metal enclosures for durability.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e3PDT switches for true bypass switching.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRed LED indicator.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThree-year limited warranty.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SubDecay","offers":[{"title":"Default Title","offer_id":33923435069575,"sku":"SUBDLIQUIDSUNMKIII","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/subdecay-effects-and-pedals-overdrive-and-boost-subdecay-liquid-sunshine-mkiii-overdrive-subdliquidsunmkiii-28397791576199.jpg?v=1648898580"},{"product_id":"subdecay-starlight-flanger-v2-17401","title":"Subdecay Starlight Flanger v2","description":"\u003cp\u003e\u003cstrong\u003eFrom Subdecay:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eVintage Flanger tone, modern versatility.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eWith six tantalizing LFO shapes, added control and an revamped internal design the Starlight flanger is crafted to satisfy noise connoisseurs and traditionalists alike. The triangle and sine shape gives you all the classic tones from jet plane sweep to chorus\/vibrato like warbles. Try random sample\/hold for teleported cyborg babble. let chords ring out with the disorientation of the Square\/Triangle mix shape. There are so many possibilities you just have to try it to find them all.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003ePowerful Controls.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eMany of the controls go beyond the range you might expect. The manual knob turns the flanger sweep down super low for nasally sitarish drone. The regen knob allows for near oscillation (and can be tuned for self oscillation via an internal trimmer.) The range of the depth knob can be overbearing paired with fast modulation speeds. Maybe that’s what you want. We’ve left the power in your hands.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eFrom Subtle to bold.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe effect has been completely redesigned with warmer tone, more transparency and a dramatic improvement in headroom and dynamics. The depth and regen controls allow for near transparent warbles to flanging excesses brazen enough to make the 1980s collectively blush.\u003cspan\u003e  \u003c\/span\u003eYou’ll never experience a volume drop when with the effect engaged. Deliberately created to deliver a full range effect without compromising dynamics or tone. And of course true bypass switching means it will never color your tone when off.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eStill compact and easy to use.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eIn spite of the added versatility we managed to squeeze it all in a small package. It won’t cramp your pedal board.\u003cspan\u003e  \u003c\/span\u003eThere are more\u003cspan\u003e  \u003c\/span\u003efeature laden brands out there, but too many are physically huge and include features than you’ll ever use. Even with the option heavy redesign it’s still\u003cspan\u003e  \u003c\/span\u003eintuitive and easy to use. The controls perform the way you’d expect. You won’t simply touch a knob and be alarmed by unexpected results. You won’t feel the anxiety that a sound is lost forever. No other flanger matches tone and features you’ll actually want to use in such a small footprint.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eAll analog signal path with digital control.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe Starlight never never never digitizes your guitar tone. Only the wonderful LFO shapes are generated digitally. Everything else has been kept as analog as possible. The shape and speed knobs control the LFO. From there everything including the depth, manual and regen knobs are all part of the analog circuit.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eCredits:\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eAnalog Design \u0026amp; artwork: Brian Marshall\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eMicrocontroller coding: Thomas Eddleman\u003c\/span\u003e\u003c\/p\u003e","brand":"SubDecay","offers":[{"title":"Default Title","offer_id":33923435659399,"sku":"SUBDSTARLIGHTV2","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/subdecay-effects-and-pedals-flanger-subdecay-starlight-flanger-v2-subdstarlightv2-17181827268743.jpg?v=1646370491"},{"product_id":"subdecay-quasar-dlx-phaser-pedal-64998","title":"Subdecay Quasar DLX Phaser Pedal","description":"\u003cstrong\u003eSubdecay Quasar DLX Phaser Pedal\u003c\/strong\u003e \u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe Quasar DLX is back in black. The original LFO waveforms return, with improvements in the phaser’s \u003c\/span\u003e\u003cspan\u003etone and usability.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLike many classic designs the heart of the Quasar DLX mkII is an analog 4 stage OTA based phaser. This phaser is made special by the features and functionality possible only with digital control. Eleven LFO shapes ranging from the tried and true sine and triangle waves to random sample\/hold and even an argyle waveform. (Yes you read that right! Argyle!)\u003c\/p\u003e A phaser to control the world! \u003cp\u003eControl the LFO speed in three different ways. You can control the modulation speed by tap tempo, or hold down the tap switch for manual control and engage the \u003cspan\u003eDUAL ACTION SPEED KNOB\u003c\/span\u003e. The speed ranges from a 45 second sweep up into ring modulation territory at nearly 300hz.\u003c\/p\u003e\n\u003cp\u003eAn expression pedal can also control the speed, or manually sweep the phaser like a wah.\u003c\/p\u003e\n\u003cp\u003eTurning the color knob to the right increases the intensity of the phasing. When turned fully to the right it starts to sound similar to an early 80s Roland style Low pass filter. The color knob can have a dramatic effect on the output volume. Luckily there’s a volume knob too!\u003c\/p\u003e \u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"SubDecay","offers":[{"title":"Default Title","offer_id":33924320133255,"sku":"SUBDQUASARDLX","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/subdecay-effects-and-pedals-phase-shifters-subdecay-quasar-dlx-phaser-pedal-subdquasardlx-28066616737927.jpg?v=1646940913"},{"product_id":"subdecay-quasar-phase-modulator-354583","title":"Subdecay Quasar Phase Modulator","description":"\u003ci\u003eFrom Subdecay:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe Quasar offers eleven modes paired with a simple control surface. An abundance of non-traditional options are on tap. Rhythmic modulation patterns. Sci-fi discombobulation. Envelope speed control.\u003cbr\u003e\u003cbr\u003eTraditional phaser and rotary tones are in the box too, but you want more, right? Something different? Something that stands out?\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eAll analog phaser.\u003c\/li\u003e\n\u003cli\u003eSynchronized tremolo and chopper effects.\u003c\/li\u003e\n\u003cli\u003eActive volume regulation. This eliminates the drastic volume disparities typical of many phasers.\u003c\/li\u003e\n\u003cli\u003eWide range of traditional and experimental sounds.\u003c\/li\u003e\n\u003cli\u003eCurrent draw is less than 25mA.\u003c\/li\u003e\n\u003cli\u003eLength 4.4″ X Width 2.3″ X Height 1.0″\u003c\/li\u003e\n\u003cli\u003eInput impedance- 1M.\u003c\/li\u003e\n\u003cli\u003eOutput impedance- Less than 1K.\u003c\/li\u003e\n\u003cli\u003eThe Quasar is handmade in Oregon.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SubDecay","offers":[{"title":"Default Title","offer_id":33925509251207,"sku":"SDQUASAR","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/subdecay-effects-and-pedals-phase-shifters-subdecay-quasar-phase-modulator-sdquasar-28063750389895.jpg?v=1646902572"},{"product_id":"subdecay-tremcoder-stereo-tremolo-sequencer-761820","title":"Subdecay Tremcoder Stereo Tremolo Sequencer","description":"\u003ci\u003eFrom ThroBak:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe TremCoder gives you options but won’t require a masters degree in modular synth madness to operate. A variety of LFOs drive a stereo tremolo\/panner and lock into your groove with tap tap tempo.\u003cbr\u003e\u003cbr\u003eBut wait, where’s the tap tempo switch? External input? Nope. You just tap the bypass switch twice and the tremolo starts on the following beat. Tap up to five times for greater accuracy. When tapping stops the effect turns on like magic. After two seconds simply press the switch once to turn the effect off.\u003cbr\u003e\u003cbr\u003eHow does stereo work with only one ouput jack? You’ll need a TRS Y cable for stereo panning.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eTap tempo from two measures to 16th notes.\u003c\/li\u003e\n\u003cli\u003e9 LFO shapes\u003c\/li\u003e\n\u003cli\u003e22 preset sequences\u003c\/li\u003e\n\u003cli\u003estereo panner (requires Y – splitter cable on output.)\u003c\/li\u003e\n\u003cli\u003etremolo effect turns all the way off at max depth\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SubDecay","offers":[{"title":"Default Title","offer_id":33928373698695,"sku":"SD-TC","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/subdecay-effects-and-pedals-tremolo-and-vibrato-subdecay-tremcoder-stereo-tremolo-sequencer-sd-tc-17217113489543.jpg?v=1646720764"},{"product_id":"subdecay-quasar-phase-modulator-wrockboard-flat-patch-830131","title":"Subdecay Quasar Phase Modulator w\/RockBoard Flat Patch Cables Bundle","description":"This Bundle Includes:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSubdecay Quasar Phase Modulator\u003c\/li\u003e\n\u003cli\u003eTwo RockGear RockBoard Flat Patch Cables; Black 10cm (3.94\")\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ci\u003eFrom Subdecay:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe Quasar offers eleven modes paired with a simple control surface. An abundance of non-traditional options are on tap. Rhythmic modulation patterns. Sci-fi discombobulation. Envelope speed control.\u003cbr\u003e\u003cbr\u003eTraditional phaser and rotary tones are in the box too, but you want more, right? Something different? Something that stands out?\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eAll analog phaser.\u003c\/li\u003e\n\u003cli\u003eSynchronized tremolo and chopper effects.\u003c\/li\u003e\n\u003cli\u003eActive volume regulation. This eliminates the drastic volume disparities typical of many phasers.\u003c\/li\u003e\n\u003cli\u003eWide range of traditional and experimental sounds.\u003c\/li\u003e\n\u003cli\u003eCurrent draw is less than 25mA.\u003c\/li\u003e\n\u003cli\u003eLength 4.4″ X Width 2.3″ X Height 1.0″\u003c\/li\u003e\n\u003cli\u003eInput impedance- 1M.\u003c\/li\u003e\n\u003cli\u003eOutput impedance- Less than 1K.\u003c\/li\u003e\n\u003cli\u003eThe Quasar is handmade in Oregon.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SubDecay","offers":[{"title":"Default Title","offer_id":34295488970887,"sku":"SDQUASAR-001-KIT","price":204.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/subdecay-effects-and-pedals-phase-shifters-subdecay-quasar-phase-modulator-w-rockboard-flat-patch-cables-bundle-sdquasar-001-kit-28032912752775.jpg?v=1650541990"},{"product_id":"subdecay-quasar-dlx-phaser-pedal-wrockboard-flat-patch-830133","title":"Subdecay Quasar DLX Phaser Pedal w\/RockBoard Flat Patch Cables Bundle","description":"This Bundle Includes:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSubdecay Quasar DLX Phaser Pedal\u003c\/li\u003e\n\u003cli\u003eTwo RockGear RockBoard Flat Patch Cables; Black 10cm (3.94\")\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eSubdecay Quasar DLX Phaser Pedal\u003c\/b\u003e\u003cbr\u003eThe Quasar DLX is back in black. The original LFO waveforms return, with improvements in the phaser’s tone and usability.\u003cbr\u003e\u003cbr\u003eLike many classic designs the heart of the Quasar DLX mkII is an analog 4 stage OTA based phaser. This phaser is made special by the features and functionality possible only with digital control. Eleven LFO shapes ranging from the tried and true sine and triangle waves to random sample\/hold and even an argyle waveform. (Yes you read that right! Argyle!)\u003cbr\u003e\u003cbr\u003eA phaser to control the world!\u003cbr\u003eControl the LFO speed in three different ways. You can control the modulation speed by tap tempo, or hold down the tap switch for manual control and engage the DUAL ACTION SPEED KNOB. The speed ranges from a 45 second sweep up into ring modulation territory at nearly 300hz.\u003cbr\u003e\u003cbr\u003eAn expression pedal can also control the speed, or manually sweep the phaser like a wah.\u003cbr\u003e\u003cbr\u003eTurning the color knob to the right increases the intensity of the phasing. When turned fully to the right it starts to sound similar to an early 80s Roland style Low pass filter. The color knob can have a dramatic effect on the output volume. Luckily there’s a volume knob too!","brand":"SubDecay","offers":[{"title":"Default Title","offer_id":34295489659015,"sku":"SUBDQUASARDLX-001-KIT","price":254.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/subdecay-effects-and-pedals-phase-shifters-subdecay-quasar-dlx-phaser-pedal-w-rockboard-flat-patch-cables-bundle-subdquasardlx-001-kit-17182074044551.jpg?v=1647398832"},{"product_id":"subdecay-echo-box-delay-17395","title":"Subdecay Echo Box Delay","description":"\u003cstrong\u003eSubdecay Echo Box Delay\u003c\/strong\u003e \u003cp\u003e\u003cem\u003eFrom Subdecay:\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eWe started out with a great delay sound, added intuitive and useful features. Lush – Sweet – Swirly – Ambient. The sound of the Echobox Modulated Delay is somewhere between a digital and analog delay, but without the coldness of the the typical digital delay, or the sometimes “clicky” artifacts heard with analog delays. The repeats degrade each time they are recycled, but without any of the clicking, or popping often caused by “noise reduction” compandor circuits in older delays. Instead, Echobox uses a discrete noise reduction circuit designed from the ground up.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"SubDecay","offers":[{"title":"Default Title","offer_id":34298567622791,"sku":"SUBDECHOBOX","price":141.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/subdecay-effects-and-pedals-delay-subdecay-echo-box-delay-subdechobox-17185191264391.jpg?v=1646272757"},{"product_id":"subdecay-octasynth-octave-synthesizer-17398","title":"Subdecay Octasynth Octave Synthesizer","description":"\u003cp\u003eRaw Waveforms + Resonant Filter = Analog synthesizer.\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe Octasynth is more than a simulation or an attempt to mimic analog synthesizers.\u003cspan\u003e  \u003c\/span\u003eIt is an analog synthesizer. The heart and soul of the octasynth are two different effects both built around IC’s commonly used in analog synthesis. The first is an octave generator that converts your guitar into three square waves.\u003cspan\u003e  \u003c\/span\u003eThe octaves then run through a second effect: A resonant low pass filter.\u003cspan\u003e  \u003c\/span\u003e90% of the analog synth tones you are familiar with are just this – Raw waveforms and resonant filters.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe first temptation with any synthesizer effect is to make it complicated, so complicated that most people would never have the patience to use it.\u003cspan\u003e  \u003c\/span\u003eWhile this can make for a very fun (and expensive) toy, it becomes less useful or even frustrating if you can’t easily recall ‘that sound’ you were getting from it a few minutes ago. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eDynamics-\u003cspan\u003e  \u003c\/span\u003eNot only does the Octasynth track the note you are playing. It also tracks dynamics to control the filter.\u003cspan\u003e  \u003c\/span\u003eUse the DEPTH and RESONANCE controls to create in your face punch or resonant gurgles. Expressive controls let your playing shine through. The way you play a note has just as much effect on the sound as the note you play.\u003cspan\u003e  \u003c\/span\u003eThe filter also completely turns off while you are not playing to eliminate sputter or other noises common with other octave effects.\u003c\/span\u003e\u003c\/p\u003e \u003cspan\u003eControls:\u003c\/span\u003e \u003cp\u003e\u003cspan\u003eThe Octasynth’s controls are tailored to creating a sound quickly. No endless tweaking required.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eBlend- A mix control for 3 octave voices. To the left, two octaves down. To the right, one octave. In the center a mix of all three.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eDepth- The range of the filter. As this knob is turned to the right each note you play pushes the filter cutoff frequency higher. This control can be a bit touchy, especially in the lower range. When turned all the way down the filter stays below audible frequencies (i.e. there will be no sound at all). It needs to be turned up at least a little bit for any audible effect. This design allows the filter to trail off to ultra low frequencies, which can make notes trail off gracefully rather than sputtering out.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eRes- Resonance\/Feedback for the filter. Turned to the right the cut off frequency of the filter is intensified. Turned all the way to the right the filter will approach near oscillation.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eLevel- Total output volume.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eUsing it with Bass guitar:\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe most common questions we hear about the Octasynth are from bass players. In the past we recommended not using this effect with bass guitar, but many bassists use it and love it. It really comes down to expectations. The pedal was designed with guitar in mind. The pedal can produce a full two octaves down which might be too much for the lower registers of bass guitar. Tracking may not be so great below the 5th fret. Playing around the middle of the fret board can create some great bass-synth tones.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe Octasynth is monophonic, so you’ll need to leave your diminished 9th jazz chords at home.\u003cspan\u003e  \u003c\/span\u003eThe Octaynth just want’s to rock n roll!\u003c\/span\u003e\u003c\/p\u003e Specs: \u003cul\u003e\n\u003cli\u003e\u003cspan\u003ePowered by a 9 volt battery or a regulated 9VDC to 12VDC adapter with a negative center\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e2.1mm barrel style plug\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIf using a “daisy chain” power supply, all other pedals MUST be negative ground.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCurrent draw is less than 10mA.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLength 4.4″ X Width 2.3″ X Height 1.0″\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInput impedance- 500K\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOutput impedance- varies depending on Level setting.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe Octasynth is hand made in Oregon.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDie cast metal enclosures for durability.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e3PDT switches for true bypass switching.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRed LED indicator.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThree-year limited warranty.\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SubDecay","offers":[{"title":"Default Title","offer_id":34298567884935,"sku":"SUBDOCTASYNTH","price":159.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/subdecay-effects-and-pedals-octave-and-pitch-subdecay-octasynth-octave-synthesizer-subdoctasynth-17214570692743.jpg?v=1646374441"},{"product_id":"subdecay-super-spring-theory-reverberator-17402","title":"Subdecay Super Spring Theory Reverberator","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFrom Subdecay:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eIn 2011 we set out to create the most realistic spring reverb simulation ever. The Spring Theory was born with authentic sound, feel and dynamics. Since then we’ve been taking notes for the next evolution: The Super Spring Theory.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eDrip Splash Kerplang – Spring Reverb\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eWe’ve captured every nuance of tube driven spring reverb by analyzing design, sound and the physics of real spring reverb tanks. Even something as innocuous as unplugging your guitar cable (kerplangagnangang)\u003cspan\u003e  \u003c\/span\u003esounds like real authentic springs. While much gear was evaluated the main inspiration for the spring setting is still our 68 Twin Reverb. Unlike the amp you can bend nature of physics with the decay control (something even an outboard tank can’t do.) A tone control was added allowing you to dial in the perfect timbre. There is also an internal trimmer for running hotter signals in to the reverb. The trimmer serves two purposes- 1. It allows you to turn down for hotter signals. 2. It does essentially what the dwell control does on an outboard reverb tank. You can turn it up for a more dramatic effect or back it off for subtlety.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eWe’ve retained an all analog signal path for your clean signal with an improved preamp. JFET amplifiers carryout the send and recovery of the reverb signal for even more tube like dynamics. The Super Spring Theory is even better in front of overdrive pedals or a dirty amp.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eMore options\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eImproving overall performance was not enough. We’ve been listening and we know what you want. We’ve packed a ton of new features in the same pint sized pedal. Now you can hear reverb tails when bypassed. Separate level controls for the dry and reverb sounds along with the new wide range tone control allow for subtle reverb to in your face salt water splash.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e…But wait, There’s more! – Room Reverb\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThere’s also that other reverb setting. ROOM. Don’t think of this as your typical subtle ambiance room reverb. That is certainly possible with the decay knob rolled back. It simulates a space where you can modify the very nature of physics. Longer decay times are like a cavern covered in ceramic tile with reverb trails over three minutes long.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eLike no other reverb pedal on earth.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eEvery aspect of the Super Spring Theory was designed from the ground up. You won’t find a\u003cspan\u003e  \u003c\/span\u003e“reverb brick” inside. It’s not a datasheet design from someone else.\u003cspan\u003e  \u003c\/span\u003eThe Super Spring Theory uses our own DSP reverb algorithms that you can’t get anywhere else.\u003c\/span\u003e\u003c\/p\u003e","brand":"SubDecay","offers":[{"title":"Default Title","offer_id":34298568081543,"sku":"SUBDSUPERSPRING","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/subdecay-effects-and-pedals-reverb-subdecay-super-spring-theory-reverberator-subdsuperspring-28397773553799.jpg?v=1648898940"},{"product_id":"subdecay-proteus-auto-filter-mkii-70512","title":"Subdecay Proteus Auto-Filter MKII","description":"Envelope and Sample Hold Filter \u003cp\u003eThe Proteus mkII – Our plug and play filter, with a new design closely related to the original Filter Sample\/Hold. The resonance control adds a new dimension to the effect that goes from subtle to greasy gritty synth tones. We also added an external switch allowing you to change from low-pass to band-pass filter.\u003c\/p\u003e The all analog filter with digital magic. \u003cp\u003eOld school analog tech still rules in the world of filter effects. At the heart of this pedal is an analog OTA based filter design similar to vintage Maestro units.\u003c\/p\u003e\u003cp\u003eThe digital portion of this pedal is used purely for controlling the analog circuit. This gives you old school analog tone with modern features like tap tempo and switching between the envelope filter and sample hold filter on the fly. The Proteus does the thinking and tinkering for you so you can get busy playing your guitar.\u003c\/p\u003e Controls: \u003cp\u003e\u003cstrong\u003eTap\/Mode Switch:\u003c\/strong\u003e Tapping the switch 2-4 times starts the tap tempo random arpeggiator (sample\/hold.) Holding the switch down for one second reverts back to envelope filter mode.\u003cbr\u003e\u003cstrong\u003eFrequency:\u003c\/strong\u003e Filter resting point.\u003cbr\u003e\u003cstrong\u003eDepth:\u003c\/strong\u003e Filter modulation range for both envelope follower and sample hold mode.\u003cbr\u003e\u003cstrong\u003e1-2-4:\u003c\/strong\u003e Step multiplier. One, two or four steps per beat (or quarter, eighth and sixteenth notes.) Used for sample hold mode only.\u003cbr\u003e\u003cstrong\u003eLP – BP\u003c\/strong\u003e: Select low-pass or band-pass filter.\u003cbr\u003e\u003cstrong\u003eBypass Switch:\u003c\/strong\u003e Turns the effect off or on.\u003cbr\u003e\u003cstrong\u003eDual color LED:\u003c\/strong\u003e Lights up green when the effect is on. Red indicates the modulation of the filter letting you know if it’s in envelope or sample\/hold mode even when the filter is bypassed.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eImprovements \/ changes from the original Proteus:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSwitchable bandpass and lowpass filter.\u003c\/li\u003e\n\u003cli\u003eNew design closer to the Maestro Filter Sample Hold.\u003c\/li\u003e\n\u003cli\u003eCan be powered at up to 18 volts for maximum headroom.\u003c\/li\u003e\n\u003cli\u003eResonance knob added allows the filter to go from subtle to nasty greasy synthesizer grit.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SubDecay","offers":[{"title":"Default Title","offer_id":34299561377927,"sku":"SUBDPROTEUSV2","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/subdecay-effects-and-pedals-wahs-and-filters-subdecay-proteus-auto-filter-mkii-subdproteusv2-17215167889543.jpg?v=1649207287"},{"product_id":"subdecay-octasynth-octave-synthesizer-835691","title":"Subdecay Octasynth Octave Synthesizer","description":"\u003cp\u003e\u003ci\u003ePlease note this item comes with no original packaging and there are rubber feet on the bottom.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eFrom Subdecay:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eRaw Waveforms + Resonant Filter = Analog synthesizer.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe Octasynth is more than a simulation or an attempt to mimic analog synthesizers.\u003cspan\u003e  \u003c\/span\u003eIt is an analog synthesizer. The heart and soul of the octasynth are two different effects both built around IC’s commonly used in analog synthesis. The first is an octave generator that converts your guitar into three square waves.\u003cspan\u003e  \u003c\/span\u003eThe octaves then run through a second effect: A resonant low pass filter.\u003cspan\u003e  \u003c\/span\u003e90% of the analog synth tones you are familiar with are just this – Raw waveforms and resonant filters.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe first temptation with any synthesizer effect is to make it complicated, so complicated that most people would never have the patience to use it.\u003cspan\u003e  \u003c\/span\u003eWhile this can make for a very fun (and expensive) toy, it becomes less useful or even frustrating if you can’t easily recall ‘that sound’ you were getting from it a few minutes ago. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eDynamics-\u003cspan\u003e  \u003c\/span\u003eNot only does the Octasynth track the note you are playing. It also tracks dynamics to control the filter.\u003cspan\u003e  \u003c\/span\u003eUse the DEPTH and RESONANCE controls to create in your face punch or resonant gurgles. Expressive controls let your playing shine through. The way you play a note has just as much effect on the sound as the note you play.\u003cspan\u003e  \u003c\/span\u003eThe filter also completely turns off while you are not playing to eliminate sputter or other noises common with other octave effects.\u003c\/span\u003e\u003c\/p\u003e \u003cspan\u003eControls:\u003c\/span\u003e \u003cp\u003e\u003cspan\u003eThe Octasynth’s controls are tailored to creating a sound quickly. No endless tweaking required.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eBlend- A mix control for 3 octave voices. To the left, two octaves down. To the right, one octave. In the center a mix of all three.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eDepth- The range of the filter. As this knob is turned to the right each note you play pushes the filter cutoff frequency higher. This control can be a bit touchy, especially in the lower range. When turned all the way down the filter stays below audible frequencies (i.e. there will be no sound at all). It needs to be turned up at least a little bit for any audible effect. This design allows the filter to trail off to ultra low frequencies, which can make notes trail off gracefully rather than sputtering out.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eRes- Resonance\/Feedback for the filter. Turned to the right the cut off frequency of the filter is intensified. Turned all the way to the right the filter will approach near oscillation.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eLevel- Total output volume.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eUsing it with Bass guitar:\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe most common questions we hear about the Octasynth are from bass players. In the past we recommended not using this effect with bass guitar, but many bassists use it and love it. It really comes down to expectations. The pedal was designed with guitar in mind. The pedal can produce a full two octaves down which might be too much for the lower registers of bass guitar. Tracking may not be so great below the 5th fret. Playing around the middle of the fret board can create some great bass-synth tones.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe Octasynth is monophonic, so you’ll need to leave your diminished 9th jazz chords at home.\u003cspan\u003e  \u003c\/span\u003eThe Octaynth just want’s to rock n roll!\u003c\/span\u003e\u003c\/p\u003e Specs: \u003cul\u003e\n\u003cli\u003e\u003cspan\u003ePowered by a 9 volt battery or a regulated 9VDC to 12VDC adapter with a negative center\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e2.1mm barrel style plug\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIf using a “daisy chain” power supply, all other pedals MUST be negative ground.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCurrent draw is less than 10mA.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLength 4.4″ X Width 2.3″ X Height 1.0″\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInput impedance- 500K\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOutput impedance- varies depending on Level setting.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe Octasynth is hand made in Oregon.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDie cast metal enclosures for durability.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e3PDT switches for true bypass switching.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRed LED indicator.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThree-year limited warranty.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SubDecay","offers":[{"title":"Default Title","offer_id":34302787649671,"sku":"SUBDOCTASYNTHU1","price":126.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/subdecay-effects-and-pedals-octave-and-pitch-subdecay-octasynth-octave-synthesizer-subdoctasynthu1-17188387487879.jpg?v=1649748198"},{"product_id":"subdecay-tremcoder-stereo-tremolo-sequencer-1098198","title":"Subdecay Tremcoder Stereo Tremolo Sequencer","description":"\u003cb\u003e\u003ci\u003ePlease Note:\u003c\/i\u003e\u003c\/b\u003e Chips in the paint on the side by the input.\u003cbr\u003e\u003ci\u003eFrom ThroBak:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe TremCoder gives you options but won’t require a masters degree in modular synth madness to operate. A variety of LFOs drive a stereo tremolo\/panner and lock into your groove with tap tap tempo.\u003cbr\u003e\u003cbr\u003eBut wait, where’s the tap tempo switch? External input? Nope. You just tap the bypass switch twice and the tremolo starts on the following beat. Tap up to five times for greater accuracy. When tapping stops the effect turns on like magic. After two seconds simply press the switch once to turn the effect off.\u003cbr\u003e\u003cbr\u003eHow does stereo work with only one ouput jack? You’ll need a TRS Y cable for stereo panning.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eTap tempo from two measures to 16th notes.\u003c\/li\u003e\n\u003cli\u003e9 LFO shapes\u003c\/li\u003e\n\u003cli\u003e22 preset sequences\u003c\/li\u003e\n\u003cli\u003estereo panner (requires Y – splitter cable on output.)\u003c\/li\u003e\n\u003cli\u003etremolo effect turns all the way off at max depth\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SubDecay","offers":[{"title":"Default Title","offer_id":34652588343431,"sku":"SD-TC-u1","price":190.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/subdecay-effects-and-pedals-tremolo-and-vibrato-subdecay-tremcoder-stereo-tremolo-sequencer-sd-tc-u1-28501122678919.jpg?v=1647332766"},{"product_id":"subdecay-prometheus-deluxe-auto-filter-17399","title":"Subdecay Prometheus Deluxe Auto-Filter","description":"The most versatile filter pedal on Earth just got better.\u003cbr\u003e\u003cbr\u003eAfter a year in development we present The Prometheus DLX. An analog filter with digital control. We made sure to not build in any artificial limitations. The filter sweep goes above and below normal guitar frequencies, and works well with other instruments such as bass and synthesizers. Select between lowpass, bandpass and highpass filters, and virtually unlimited ways to manipulate them.\u003cbr\u003e\u003cbr\u003eWe took the mad science of the original Prometheus and multiplied it, adding features that not only increase the sonic possibilities, but also make it easier to use. The DLX is a re-imagined Prometheus that uses all the knowledge we gained from The Quasar DLX, and our experience making the most exciting filter pedals in the world. We also added some improvements. More resonance? Yep! Tap tempo? You got it! For even more headroom the DLX will operate at 18 volts. There’s even an internal switch to add a dry signal blend to the bandpass filter. (See, we love you bass players too!)\u003cbr\u003e\u003cbr\u003eWhile the options are nearly infinite, we made sure to keep things simple enough so that the average guitar player could figure them out in a few minutes.\u003cbr\u003e\u003cbr\u003eThe Prometheus DLX has nine basic functions:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eAnalog envelope – forward and reverse.\u003c\/li\u003e\n\u003cli\u003eStep – tap tempo step filter based on 7 LFO shapes.\u003c\/li\u003e\n\u003cli\u003eTrigger LFO – tap to trigger one LFO cycle.\u003c\/li\u003e\n\u003cli\u003eManual LFO – Manually control LFO speed.\u003c\/li\u003e\n\u003cli\u003eWarp LFO – tap tempo LFO speed with wave shape warp.\u003c\/li\u003e\n\u003cli\u003ePixilated Envelope – sample\/hold envelope control.\u003c\/li\u003e\n\u003cli\u003eEnvelope Trigger – Envelope triggers LFO.\u003c\/li\u003e\n\u003cli\u003eEnvelope-\u0026gt;LFO manual – Envelope drives LFO speed. Fixed sensitivity.\u003c\/li\u003e\n\u003cli\u003eEnvelope-\u0026gt;LFO – Envelope drives LFO speed. Variable sensitivity.\u003c\/li\u003e\n\u003cli\u003eIn each of these settings, the WARP control and TAP\/HOLD serve different purposes to get the most out of each effect.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eThe expression pedal input can be used with any non-envelope functions. Depending on the shape \u0026amp; mode settings the expression pedal has a different effect. For example, in trigger LFO mode the LFO shape is mapped to the expression pedal. Select the ramp wave for a “standard wah” effect. Choose the saw wave for a reverse wah. The triangle\/square wave is especially strange.\u003cbr\u003e\u003cbr\u003eWe also made major improvements to the step filter in the DLX. We not only added tap tempo, but the underlying LFO rate is locked to the step rate. If the step rate changes, there is no need to readjust anything to keep the same arpeggiated pattern. The warp knob is used to adjust the ratio of the step rate and the underlying LFO between 1:1 and 1:1.5. This ensures that there are no redundant settings.\u003cbr\u003e\u003cbr\u003eSpecs:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003ePowered by an external regulated 9VDC to 18VDC adapter with a negative center 2.1mm barrel style plug.\u003c\/li\u003e\n\u003cli\u003ePower supply is not included.\u003c\/li\u003e\n\u003cli\u003eIf using a “daisy chain” power supply all other pedals MUST be negative ground.\u003c\/li\u003e\n\u003cli\u003eCurrent draw is less than 100mA.\u003c\/li\u003e\n\u003cli\u003eLength 4.7″ x Width 3.7″ x Height 1.2″\u003c\/li\u003e\n\u003cli\u003eInput impedance- 1M\u003c\/li\u003e\n\u003cli\u003eOutput impedance- Less than 1K.\u003c\/li\u003e\n\u003cli\u003eThe Prometheus DLX is hand made in Oregon.\u003c\/li\u003e\n\u003cli\u003eDie cast metal enclosures for durability.\u003c\/li\u003e\n\u003cli\u003e3PDT switches for true bypass switching.\u003c\/li\u003e\n\u003cli\u003eRed\/Green LED indicator.\u003c\/li\u003e\n\u003cli\u003eThree-year limited warranty\u003c\/li\u003e\n\u003cli\u003eJuly 2015- Version 1.5 update:\u003c\/li\u003e\n\u003cli\u003eThe most versatile filter pedal on earth just got better.\u003c\/li\u003e\n\u003cli\u003eThe improvements include:\u003c\/li\u003e\n\u003cli\u003eMore consistent settings between 9 and 18 volt operation.\u003c\/li\u003e\n\u003cli\u003eMinor changes and smoothing of the analog envelope follower\u003c\/li\u003e\n\u003cli\u003eImproved power filtering\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SubDecay","offers":[{"title":"Default Title","offer_id":39414973792391,"sku":"SUBDPROMETHEUSDLX","price":325.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/subdecay-subdecay-prometheus-deluxe-auto-filter-subdprometheusdlx-28235225464967.jpg?v=1649697245"},{"product_id":"subdecay-vagabond-harmonic-tremolo-pedal-64978","title":"Subdecay Vagabond Harmonic Tremolo Pedal","description":"\u003ci\u003eFrom Subdecay:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe Vagabond Tremolo embellishes upon one of the most tried and true effects of all time. Tremolo with vintage personality fused with added depth, more speed and more control. \u003cbr\u003e\u003cbr\u003eIn the simplest terms tremolo modulates volume. This definition doesn’t exude the inflection of wah, the blunt weaponry of fuzz, or the obvious psychedelic ramifications of echo. In spite of the boring definition, tremolo is a defining sound of so many classic songs and artists. Like many other things in music the early classic designs were imperfect, and those imperfections made them what they were. It made them interesting.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eHarmonic and Bias Tremolo\u003c\/b\u003e\u003cbr\u003eBias Tremolos, like some Fender black face amps create subtle distortions and alter frequency response. Harmonic tremolos, like the older brown face amps weren’t really tremolo at all. They were cross fade effects between high and low-pass filters. Because of the phase shift in the filters, they often have subtle hints of phaser or vibrato.\u003cbr\u003e\u003cbr\u003eBoth of these tremolo styles use a large bias voltage added to your guitar signal to modulate the volume. (bias tremolos in the power amp and harmonic tremolos in the preamp) The only reason that you don’t hear this added signal is because the LFO is below frequencies our ears can hear. In fact, if you take the grill cloth off the amp you’ll see the speaker moving in rhythm with the effect.\u003cbr\u003e\u003cbr\u003eThis creates some limitations in these types of effects. If the LFO went any faster you’d hear low frequency hum. If you’ve used bias tremolo before you’ve surely noticed that some sound is always audible. The volume never completely turns to zero. If it went any deeper you’d hear a popping sound as tubes turn completely off.\u003cbr\u003e\u003cbr\u003eTube amp LFOs also had a limited range. Most tube amp LFOs use a phase shift oscillator employing a single triode. This setup doesn’t work over a large frequency range. It can be extended with triode stages and a multigang potentiometer, but this was a time when tubes were at a premium and everything was wired by hand. Most amp companies would opt for simple rather than anything seeming unnecessarily or complicated.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEssential Features\u003c\/b\u003e\u003cbr\u003eWe’ve built a name for ourselves in modulation effects, but tremolo has been notably absent from our effects lineup. This wasn’t for the lack of trying. We went down that rabbit hole many times. Attempting to pair the effect with DLX pedal controls schemes was a common theme. After a while the extra features felt unnecessary. 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