{"title":"Studio Electronics","description":"","products":[{"product_id":"studio-electronics-se-3x-3-voice-rackmount-paraphonic-1735325","title":"Studio Electronics SE-3X 3-Voice Rackmount Paraphonic Analog Synthesizer","description":"\u003cp\u003eThe SE-1 was Studio Electronics’ first original product. We had spent several years adding MIDI, doing mods, and rack-mounting older synths. By 1991, we were ready to create our own product. Based largely on the MiniMoog, but incorporating many features from other classic Analog synths, it stored 255 patches and had extensive MIDI control; quickly it greased \u0026amp; boomed the bottom and wormed its way to the top on a multitude of hit records, soundtracks, video games, and touring racks.\u003c\/p\u003e\u003cp\u003eAfter making it for 10 years or so and getting a lot of customer requests, we decided a major update was in order. The original ROM chip that held the operating system was full, so we designed a new CPU board, using a much larger Flash chip which enabled updating the OS over MIDI. Other standouts included 4 banks of 128 ROM patches, 4 RAM banks, an up-sized battery-backed SRAM chip made that possible, and a CV generator boost to produce smoother envelopes and LFOs; the pot reading was greatly improved as well, making that vital programming aspect much faster and smoother.\u003c\/p\u003e\u003cp\u003eWe continued to sell them for another 10 years...\u003c\/p\u003e\u003cp\u003eIn 2020, we got a request from one of our top dealers and good friends, Lewis Chiodo at Awave, to make a second special '1X model for him. In addition to the custom hardware he wanted—2 extra VCFs—he wondered if we could include some potent software updates too. At first I declined, since I hadn't been working with the Motorola (now Freescale) chip that ran it for several years, added to that, my development system for it didn't work anymore. After some persuasion however, I decided to try. Progress was painfully slow at first, but I was eventually able to put it all together, with the usual optimistic and determined circuit-bending assist from Greg St. Regis.\u003c\/p\u003e\u003cp\u003eThe SE-3X… Hard to believe it was nearly 30 years ago the SE-1 helped the world to play… TC\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVCOs\u003c\/strong\u003e: 3 Voltage Controlled Discrete Analog Oscillators: OSC 1 waveforms: triangle, sawtooth, variable width square; OSC 2 waveforms: sine, sawtooth, variable width square; OSC 3 waveforms: triangle, sawtooth, variable width square. All waveforms output simultaneously. OSC 1 syncs to OSC 2, 3.\u003cbr\u003e\u003cstrong\u003eVCFs\u003c\/strong\u003e: 4 Voltage Controlled Discrete Analog Filters: SE Classic 24dB Moog®; SE Classic 24dB ARP®; SE Classic Juno\/Jupiter 24dB, 12dB, and Mix modes; SE Classic 12dB Oberheim® filter incorporating Low Pass \u0026amp; Band Pass modes. Oberheim filter frequency range has been expanded by a whole tone.\u003cbr\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e: 4 Multiple Stage Envelope Generators: attack, decay, sustain, release with inverting \u0026amp; multiple triggering. Envelope 1 fixed to filter frequency. Envelope 2 fixed to amplifier level. Envelopes 3 \u0026amp; 4 are assignable. ADSR speed increased from standard SE-1X.\u003cbr\u003e\u003cstrong\u003eLFOs\u003c\/strong\u003e: 3 Low Frequency Oscillators: triangle, sawtooth, reverse sawtooth, square, noise, random waveforms. One destination\/amount for each LFO with key trigger, phase, clock-divisible MIDI-sync, auto-gate.\u003cbr\u003e\u003cstrong\u003eGlide\u003c\/strong\u003e: Linear or exponential glide (portamento), auto glide.\u003cbr\u003e\u003cstrong\u003eFuzz\u003c\/strong\u003e: Switchable fixed value hardware amplifier overdrive for saturated distortion: 70’s (soft fuzz), 90’s (hard fuzz).\u003cbr\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e: 4 factory banks, 4 designer banks: Scroggins Synquence, Infared, Diademer, PARAdizer (available 6\/'21)\u003cbr\u003e\u003cstrong\u003eFaceplate\u003c\/strong\u003e: Matte Black, high contrast 4 color black, red, blue, green, white.\u003cbr\u003e\u003cstrong\u003eAdditional Features\u003c\/strong\u003e: Noise Generator, hardware Ring Modulation.\u003cbr\u003e\u003cstrong\u003eModulation Destinations\u003c\/strong\u003e: LFOs 1, 2, 3: VCOs 1, 2, 3 frequency; VCOs 1, 2, 3 mix level; VCOs 1, 2, 3 pulse width; ring mod mix level; noise mix level; VCF resonance; VCF frequency; volume. Envelopes 3, 4: VCOs 1, 2, 3 frequency; VCOs 1, 2, 3 mix level; VCOs 1, 2, 3 pulse width; ring mod mix level; noise mix level; LFO 1, 2, 3 rate, depth, VCF resonance.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVoices\u003c\/strong\u003e: Monophonic, with 3 note Paraphonic mode.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio Outputs\u003c\/strong\u003e: 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExternal Audio Inputs\u003c\/strong\u003e: 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInterface\u003c\/strong\u003e: 1 rotary encoder, 24 knobs, 20 square switches—17 illuminated, one three-way toggle (filter fuzz), one 5-way rotary switch (filter selection), power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Display\u003c\/strong\u003e: 20 x 4 blue back-lit liquid crystal.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMemory\u003c\/strong\u003e: 8 banks of 99: 396 patches in ROM, 396 in RAM.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 11 lbs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 3 rack spaces, 8 inches deep.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e: 90 - 250 volts AC auto switching.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":40505132318855,"sku":"SE-3X","price":2399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/studio-electronics-keyboards-and-synths-synths-rackmount-synths-studio-electronics-se-3x-3-voice-rackmount-paraphonic-analog-synthesizer-se-3x-30495040241799.jpg?v=1687298508"},{"product_id":"studio-electronics-midimini-v30-3-vco-monosynth-30th-1735326","title":"Studio Electronics MIDIMINI V30 3 VCO Monosynth 30th Anniversary","description":"\u003cp\u003eMany can recall dialing up Midim-g\/Midimini patches that fit a song so perfectly that they inspired even greater creativity: shapely, sometimes sinuous sounds whose essence called out to you; emotive sounds you never wanted to change; sounds you lovingly tracked, notated and revered; sounds as vital as the lyrics or lead vocal—that solid, insistent, articulate bounce, bravado, and twangy bang. Was there another sensible, MIDI-driven rackmount choice for immaculate synth bass and lead lines?\u003c\/p\u003e\u003cp\u003eThe Midimini was the first Studio Electronics synthesizer built from scratch (and not retrofitted). Over 30 years later, nothing has been lost in the translation and enrichment of this rackmount essential. A legion of brand-new hardware features, extensive software sweetening, and select modular connections opens the window even wider to an already stunning Analog view.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThrough-hole build: Every. Single. 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If the Tone★ 8106 thins somewhat with resonance excess, route the triangle wave 'round the VCF with the \"NO VCF\" switch setting, and keep this juicy reimagining of the Roland® IR3109 module boomin' and gloomin'.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKnowledge from circuit designer Tim Caswell\u003c\/strong\u003e\u003cbr\u003eThe VCO is the same affair as the Oscillation, the Boomstar, and the Omega. It's kind of a combination of Arp®, Oberheim® and Moog® circuits (sort of a greatest hits), time-tested, very stable—very good tracking over a very large range; certain parts have to be hand selected to achieve that level of exacting performance. Editors Note: This module is a TONESTAR—its own thing—and not a 2600 clone attempt; nevertheless, the Tone☆ tugs lovingly at times on the sleeve of the 1970's era classic.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEnvelope FYI:\u003c\/strong\u003e The Tonestar Sustain control replicates the behavior of the 2600 and Odyssey: after the initial Decay, it continues to move (sink) very slowly, adding a little extra texture to the sound. It's technically a flaw, but after digging out my Odyssey, it is for sure a desirable \"quirk\", and the perfect companion to the 4072 filter (which we mistakenly titled a 4075 in the Boomstar Modular line).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAnother bit of fun\u003c\/strong\u003e: The LFO is voltage controlled, so you can envelope, LFO, or otherwise modulate both the rate and the depth; the ADSR amount is also voltage controlled, so it can be manipulated by MIDI dynamics, MIDI volume, an LFO, etc. Greg [St. Regis] has decreed that anything must be patchable to anything, so some technically wrong patchings (for example, pulse wave out to ADSR out) may often produce unexpectedly interesting, x-mod\/notch filtering—quite pleasing effects.\u003c\/p\u003e\u003cp\u003eThe Tonestar was Greg's concept, but as I understood it, the goal was a single oscillator, 2600 VCF (initially), pre-patched and yet fully modular classic synth voice, at a specific size, wielding every trick we could cram in. Main use would be as a go-to bassline\/lead tool, or a premium quality, entry-level, complete synth module, for root-to-leaf sound design, and multiform analog exploration\/expression.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e: \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003ePremium Quality Analog® pre-patched and fully modular all hardware synth voice\u003c\/li\u003e\n\u003cli\u003e27 knobs, 6 switches, 21 patch points in a daring yet ergonomic 32hp config\u003c\/li\u003e\n\u003cli\u003eEight octave ARP®, Oberheim® and Moog® styled Oscillator, with sub OSC, octave control, waveform mixing, triangle direct to VCA\u003c\/li\u003e\n\u003cli\u003eLFO\/ADSR modulation of pulse width with dedicated triangle wave for warming\/chorusing effects\u003c\/li\u003e\n\u003cli\u003e6db\/oct hi-pass filter followed by a recreation of the Roland® IR3109 module\u003c\/li\u003e\n\u003cli\u003eInput drive control and variable tracking\u003c\/li\u003e\n\u003cli\u003eClassic ADSR\/AR Envelope with original 2600 \"sustain sink\" behavior to keep it movin'\u003c\/li\u003e\n\u003cli\u003eUltra wide-ranging voltage controlled LFO with input speed control\u003c\/li\u003e\n\u003cli\u003eDrone: Instant infinite sustain, and Master mode: ADSR controls both filter + amplifier envelope (Juno 106 inspired)\u003c\/li\u003e\n\u003cli\u003eFEEDBACK! Harmonic generating\/multiplying Oscillator\/Filter Feedback loop manipulation\u003c\/li\u003e\n\u003cli\u003eWhite Noise Generator and External Audio Input patching with native tonal blending\u003c\/li\u003e\n\u003cli\u003eLegendary 31 year-perfected Through-Hole build quality and supreme sound-COMPARE!\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":40505677250695,"sku":"TS-8106","price":639.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/studio-electronics-keyboards-and-synths-synths-eurorack-studio-electronics-tonestar-8106-synth-voice-module-w-juno-to-jupiter-filter-style-ts-8106-30495922389127.jpg?v=1687393187"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/collections\/Studio_Electronics_-_V30-Front-Panel-Tech.jpg?v=1689606800","url":"https:\/\/www.chicagomusicexchange.mom\/en-gb\/collections\/studio-electronics.oembed","provider":"Chicago Music Exchange","version":"1.0","type":"link"}